Buddhist Art - Southern Buddhist Art

Southern Buddhist Art

The orthodox forms of Buddhism, also known as Southern Buddhism are still practised in Sri Lanka, Myanmar (Burma), Thailand, Laos, and Cambodia. During the 1st century AD, the trade on the overland Silk Road tended to be restricted by the rise of the Parthian empire in the Middle East, an unvanquished enemy of Rome, just as Romans were becoming extremely wealthy and their demand for Asian luxury was rising. This demand revived the sea connections between the Mediterranean Sea and China, with India as the intermediary of choice. From that time, through trade connections, commercial settlements, and even political interventions, India started to strongly influence Southeast Asian countries. Trade routes linked India with southern Burma, central and southern Siam, lower Cambodia and southern Vietnam, and numerous urbanized coastal settlements were established there.

For more than a thousand years, Indian influence was therefore the major factor that brought a certain level of cultural unity to the various countries of the region. The Pali and Sanskrit languages and the Indian script, together with Mahayana and Theravada Buddhism, Brahmanism and Hinduism, were transmitted from direct contact and through sacred texts and Indian literature such as the Ramayana and the Mahabharata. This expansion provided the artistic context for the development of Buddhist art in these countries, which then developed characteristics of their own.

Between the 1st and 8th centuries, several kingdoms competed for influence in the region (particularly the Cambodian Funan then the Burmese Mon kingdoms) contributing various artistic characteristics, mainly derived from the Indian Gupta style. Combined with a pervading Hindu influence, Buddhist images, votive tablets and Sanskrit inscriptions are found throughout the area.

From the 9th to the 13th centuries, Southeast Asia had very powerful empires and became extremely active in Buddhist architectural and artistic creation. The Sri Vijaya Empire to the south and the Khmer Empire to the north competed for influence, but both were adherents of Mahayana Buddhism, and their art expressed the rich Mahayana pantheon of the Bodhisattvas. The Theravada Buddhism of the Pali canon was introduced to the region around the 13th century from Sri Lanka, and was adopted by the newly founded ethnic Thai kingdom of Sukhothai. Since in Theravada Buddhism of the period, Monasteries typically were the central places for the laity of the towns to receive instruction and have disputes arbitrated by the monks, the construction of temple complexes plays a particularly important role in the artistic expression of Southeast Asia from that time.

From the 14th century, the main factor was the spread of Islam to the maritime areas of Southeast Asia, overrunning Malaysia, Indonesia, and most of the islands as far as the Philippines. In the continental areas, Theravada Buddhism continued to expand into Burma, Laos and Cambodia.