Criticism
Controversy was a persistent feature of Hopkins' career in alien abduction and UFO studies. While few seemed to doubt Hopkin's motives or sincerity, critics charged that Hopkins was out of his element when he used hypnosis, thereby aiding his subjects in confabulation — the blending of fact and fantasy. However, Hopkins insisted such criticism is specious. He wrote, "I have often frequently invited interested therapists, journalists and academics to observe hypnosis sessions. Theoretical psychologist Nicholas Humphrey, who has held teaching positions at both Oxford and Cambridge Universities, and psychiatrist Donald. F. Klein, director of research at the New York State Psychiatric Institute and professor of psychiatry at the College of Physicians and Surgeons, Columbia University, are but two of those who have observed my work firsthand. None of these visitors ... have reported anything that suggested I was attempting to lead the subjects." (Hopkins, 238-239)
Read more about this topic: Budd Hopkins
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)