Bryher - World War II and After

World War II and After

In a 1933 article in Close up entitled "What Shall You Do in the War?", Bryher wrote about the situation of Jews in Germany, urging readers to take action. Starting that year, her home in Switzerland became a "receiving station" for refugees; she helped more than 100 people escape Nazi persecution before she was forced to flee herself in 1940. This experience influenced her 1965 "Science Fantasy" novel Visa for Avalon, about a group of people trying to escape an unnamed country for a place called Avalon on the eve of revolution.

From 1940 to 1946 she lived in London with H.D. and supervised the literary magazine Life and Letters To-day. She later wrote a memoir of these years entitled The Days of Mars, as well as a novel, Beowulf (1948), set during the Blitz.

Starting in 1952, she wrote a series of historical novels. Most are set in Britain during various eras; Roman Wall (1954) and The Coin of Carthage (1963) are set in the Roman Empire; Ruan (1960) is set in a post-Arthurian Britain. They are well researched and vivid, typically set in times of turmoil and often seen from the perspective of a young man. Ruan portrays the adventures of a Druid Novice who yearns to escape the confines of his surroundings and upbringing to become a sea captain.

Acclaimed in her own time, her historical novels have now fallen out of print. Since 2000, Visa for Avalon, her early semi-autobiographical novels Development and Two Selves, her memoir The Heart to Artemis, and her historical novel The Player's Boy have all been republished.

Read more about this topic:  Bryher

Famous quotes containing the words and after, world and/or war:

    Me, what’s that after all? An arbitrary limitation of being bounded by the people before and after and on either side. Where they leave off, I begin, and vice versa.
    Russell Hoban (b. 1925)

    When you live on cash, you understand the limits of the world around which you navigate each day. Credit leads into a desert with invisible boundaries.
    Anton Pavlovich Chekhov (1860–1904)

    War is an ugly thing, but not the ugliest of things: the decayed and degraded state of moral and patriotic feeling which thinks nothing worth a war, is worse.... A war to protect other human beings against tyrannical injustice; a war to give victory to their own ideas of right and good, and which is their own war, carried on for an honest purpose by their own free choice—is often the means of their regeneration.
    John Stuart Mill (1806–1873)