Career
Feiler is credited with formulating the Feiler Faster Thesis: the increasing pace of society and journalists' ability to report it is matched by the public's desire for more information.
He has written for numerous publications including The New Yorker, The New York Times Magazine, and Gourmet magazine, where he won three James Beard Awards. He is also a frequent contributor to National Public Radio, CNN, and Fox News.
A native of Savannah, Georgia, where he attended the Savannah Country Day School, Feiler lives in New York with his wife, Linda Rottenberg, and their twin daughters. Rottenberg, who frequently appears in his books, is co-founder and CEO of Endeavor, a nonprofit that supports High-Impact Entrepreneurs.
Feiler completed his undergraduate degree at Yale University where he was a member of Ezra Stiles College, before spending time teaching English in Japan as part of the JET Program. This experience led to his first book, Learning to Bow: Inside the Heart of Japan, a popular portrait of life in a small Japanese town. Upon his return he earned a masters degree in international relations from the University of Cambridge in the United Kingdom, which he chronicled in his book Looking for Class.
Read more about this topic: Bruce Feiler
Famous quotes containing the word career:
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (1880–1964)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)