Exhibits
The BME contains a wide and varied collection of both genuine musical artefacts and interactive experiences using digital technologies. These exhibits are arranged thematically to explore different areas of interest in music. Surrounding these exhibits are seven zones exploring different eras in British music since 1945 up to the present day, held together by a giant timeline containing thousands of facts, headlines, images, videos and animations that can be explored through the use of a trackball.
Major interactive exhibits which can be found in the museum include:
- Timelines
- Showcases
- Hey DJ!
- Where It's At
- Anatomy of a Pop Star
- Gibson Interactive Studio
- The Great Divide
- Dance The Decades
- Pre-Show
- Sound Tunnel
- Rock Galaxy
- Table Talk
- Atlantic Crossing
- Transmission
- Playback
- Future Wall
- The Beat Goes On
Many of these interactive exhibits have been developed by specialist software suppliers Clay Interactive Ltd, iso design and Studio Simple and have been led by a curatorial team directed by Robert Santelli, who has worked on other major music exhibits such as The Rock and Roll Hall of Fame in Cleveland, Ohio and The Grammy Museum in Los Angeles. BME curator Paul Lilley, with Sarah Clark and Laura Bailey, is responsible for the extensive number of artefacts and exhibits on view and the rest of the BME content team is made up of music consultants Rob Dickins, David Roberts and Mark Ellen.
Read more about this topic: British Music Experience
Famous quotes containing the word exhibits:
“It exhibits the effort of an essentially prosaic mind to lift itself, by a prolonged muscular strain, into poetry.”
—Henry James (1843–1916)
“Every woman who visited the Fair made it the center of her orbit. Here was a structure designed by a woman, decorated by women, managed by women, filled with the work of women. Thousands discovered women were not only doing something, but had been working seriously for many generations ... [ellipsis in source] Many of the exhibits were admirable, but if others failed to satisfy experts, what of it?”
—Kate Field (1838–1908)
“After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.”
—Henry David Thoreau (1817–1862)