History
The theatre was designed by Frank Matcham, and opened on 16 December 1912. It has been designated by English Heritage as a grade II listed building. An important feature of the theatre when it opened was a huge water tank at the front of the stage; which could be filled with 100,000 gallons (450,000 litres) of water. Along with the tank was a large protective glass screen which could be raised in order to protect the orchestra and those in the stalls. It also has a dome, which can be opened when necessary; however since air conditioning had been installed it is rarely opened. The theatre survived World War 2, however less than three years after it ended, a fire destroyed the stage— luckily the auditorium was saved. The theatre reopened about 10 months later, and there have been no other disasters as severe.
The theatre now plays host to many top shows, such as Miss Saigon, Cats, Les Misérables, Blood Brothers and Of Mice and Men. This is due to the size of its stage, which is one of the largest outside of London. In addition to large musicals it is also a venue for comedians such as Frankie Boyle, Ricky Tomlinson and Lee Mack, as well as children's shows such as Winnie the Pooh Live. The Bristol Hippodrome has strong links with many shows that frequently appear there, such as the Welsh National Opera. In 2012 the theatre celebrated its centenary with a show called Thanks for the Memories, staged by amateur groups Bristol Light Opera Club and Bristol Musical Youth Productions.
Read more about this topic: Bristol Hippodrome
Famous quotes containing the word history:
“We may pretend that we’re basically moral people who make mistakes, but the whole of history proves otherwise.”
—Terry Hands (b. 1941)
“A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.”
—Aristotle (384–323 B.C.)
“The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.”
—Terri Apter (20th century)