Bristol Hippodrome - History

History

The theatre was designed by Frank Matcham, and opened on 16 December 1912. It has been designated by English Heritage as a grade II listed building. An important feature of the theatre when it opened was a huge water tank at the front of the stage; which could be filled with 100,000 gallons (450,000 litres) of water. Along with the tank was a large protective glass screen which could be raised in order to protect the orchestra and those in the stalls. It also has a dome, which can be opened when necessary; however since air conditioning had been installed it is rarely opened. The theatre survived World War 2, however less than three years after it ended, a fire destroyed the stage— luckily the auditorium was saved. The theatre reopened about 10 months later, and there have been no other disasters as severe.

The theatre now plays host to many top shows, such as Miss Saigon, Cats, Les Misérables, Blood Brothers and Of Mice and Men. This is due to the size of its stage, which is one of the largest outside of London. In addition to large musicals it is also a venue for comedians such as Frankie Boyle, Ricky Tomlinson and Lee Mack, as well as children's shows such as Winnie the Pooh Live. The Bristol Hippodrome has strong links with many shows that frequently appear there, such as the Welsh National Opera. In 2012 the theatre celebrated its centenary with a show called Thanks for the Memories, staged by amateur groups Bristol Light Opera Club and Bristol Musical Youth Productions.

Read more about this topic:  Bristol Hippodrome

Famous quotes containing the word history:

    They are a sort of post-house,where the Fates
    Change horses, making history change its tune,
    Then spur away o’er empires and o’er states,
    Leaving at last not much besides chronology,
    Excepting the post-obits of theology.
    George Gordon Noel Byron (1788–1824)

    The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
    Camille Paglia (b. 1947)

    I think that Richard Nixon will go down in history as a true folk hero, who struck a vital blow to the whole diseased concept of the revered image and gave the American virtue of irreverence and skepticism back to the people.
    William Burroughs (b. 1914)