Brill Building - Writers

Writers

Many of the best works in this diverse category were written by a loosely affiliated group of songwriter-producer teams — mostly duos — that enjoyed immense success and who collectively wrote some of the biggest hits of the period. Many in this group were close friends and/or (in the cases of Goffin-King, Mann-Weil and Greenwich-Barry) married couples, as well as creative and business associates — and both individually and as duos, they often worked together and with other writers in a wide variety of combinations. Some (Carole King, Burt Bacharach, Neil Sedaka, Neil Diamond, Boyce and Hart) recorded and had hits with their own music.

  • Burt Bacharach and Hal David
  • Bert Berns
  • Sonny Bono
  • Tommy Boyce and Bobby Hart
  • Neil Diamond
  • Andy Kim
  • Giant, Baum & Kaye
  • Gerry Goffin and Carole King
  • Ellie Greenwich and Jeff Barry
  • Marvin Hamlisch
  • Hugo & Luigi
  • John Kander and Fred Ebb
  • Artie Kornfeld
  • Jerry Leiber and Mike Stoller
  • Barry Mann and Cynthia Weil
  • Shadow Morton
  • Laura Nyro
  • Claus Ogerman
  • Doc Pomus and Mort Shuman
  • Tony Powers
  • Beverly Ross
  • Neil Sedaka and Howard Greenfield
  • Paul Simon as Jerry Landis
  • Phil Spector
  • Eddie Snyder

Other famous musicians who were headquartered in The Brill Building:

  • Bobby Darin
  • The Drifters
  • Connie Francis
  • Lesley Gore
  • Ben E. King
  • Darlene Love
  • Liza Minnelli
  • Tony Orlando
  • Gene Pitney
  • The Ronettes
  • The Shangri-Las
  • The Shirelles
  • Frankie Valli

Among the hundreds of hits written by this group are "Yakety Yak" (Leiber-Stoller), "Save the Last Dance for Me" (Pomus-Shuman), "The Look of Love" (Bacharach-David), "Breaking Up Is Hard to Do" (Sedaka-Greenfield), "Devil in Disguise" (Giant-Baum-Kaye), "The Loco-Motion" (Goffin-King), "We Gotta Get Out of This Place" (Mann-Weil) and "River Deep, Mountain High" (Spector-Greenwich-Barry).

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Famous quotes containing the word writers:

    Good writers have two things in common: they would rather be understood than admired, and they do not write for hairsplitting and hypercritical readers.
    Friedrich Nietzsche (1844–1900)

    If there is a special Hell for writers it would be in the forced contemplation of their own works, with all the misconceptions, the omissions, the failures that any finished work of art implies.
    John Dos Passos (1896–1970)

    Unrecognized alcoholism is the ruling pathology among writers and intellectuals.
    Diana Trilling (b. 1905)