Dramatic and Musical Adaptations of Harte's Work
- Several film versions of "The Outcasts of Poker Flat" have been made, including one in 1937 with Preston Foster and another in 1952 with Dale Robertson. Tennessee's Partner (1955) with John Payne and Ronald Reagan was based on a story of the same name. Paddy Chayefsky's treatment of the film version of Paint Your Wagon seems to borrow from "Tennessee's Partner": two close friends—one named "Pardner"—share the same woman. The spaghetti western Four of the Apocalypse is based on "The Outcasts of Poker Flat" and "The Luck of Roaring Camp".
- Operas based on "The Outcasts of Poker Flat" include those by Samuel Adler and by Stanford Beckler.
Read more about this topic: Bret Harte
Famous quotes containing the words dramatic, musical, harte and/or work:
““The unities, sir,’ he said, “are a completeness—a kind of universal dovetailedness with regard to place and time—a sort of general oneness, if I may be allowed to use so strong an expression. I take those to be the dramatic unities, so far as I have been enabled to bestow attention upon them, and I have read much upon the subject, and thought much.””
—Charles Dickens (1812–1870)
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)
“I reside at Table Mountain, and my name is Truthful James;
I am not up to small deceit, or any sinful games;
And I’ll tell in simple language what I know about the row
That broke up our society upon the Stanislow.
But first I would remark, that it is not a proper plan
For any scientific man to whale his fellow-man,”
—Bret Harte (1836–1902)
“Human life itself may be almost pure chaos, but the work of the artist—the only thing he’s good for—is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it’s only his view of a meaning. That’s what he’s for—to give his view of life.”
—Katherine Anne Porter (1890–1980)