Plot
Eitoku Academy (英徳学園, Eitoku Gakuen?) is a school that caters to children and from rich, high-society families. Hence, Tsukushi, who comes from a poor family, is considered by others as the "weed" of the school. The school is ruled by the "Flower Four" group, more commonly known as the F4. The F4 leader, and son of the wealthiest, most powerful family in Japan, Tsukasa Domyouji, takes an interest in Tsukushi because she is the only girl at Eitoku who does not fawn over him. However, his hot-headed nature and bullying ways are originally a major turn-off for Tsukushi, who has her sights set on Rui Hanazawa.
The violinist Rui Hanazawa, Tsukasa's best friend, becomes Tsukushi's first serious romantic interest. He is a quiet and cool guy, but he has a soft spot for his close friend and Tsukushi's idol, the model Shizuka Todou, whom he harbored feelings for since childhood. His character is a bit complex, and always has changing feelings for Tsukushi, but above all cares about her a lot.
The other two members of the F4 are Akira Mimasaka, the laid-back peacemaker of the group, and Sojirou Nishikado, an unrepentant playboy. They both usually have at least one girlfriend at any one time; Akira prefers older women because the women of his household (his mother and two younger sisters) are quite childish. Sojirou is happy to be in casual relationships with many women, although we later discover that at one time he was in love with a childhood friend.
Over time, Tsukushi's feelings towards Tsukasa evolve, as she begins to appreciate the degree of change that occurred in Tsukasa once he fell in love with her. Tsukasa becomes fiercely loyal to Tsukushi and believes in her beyond all doubt, and slowly gets her to see him in a different light. However, because of the difference in their family background, Tsukushi and Tsukasa's relationship received a lot of opposition from Tsukasa's mother. Tsukasa's mother then tries all ways and means to break the pair up.
Read more about this topic: Boys Over Flowers
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)