Musicians
Music Director:
- Michael Butterman
Violin I:
- Gregory Walker: Concertmaster
- Annamaria Karacson: Assistant Concertmaster
- Willemien Meyer
- Gyongver Path
- Debra Holland
- Malva Tarasewicz
- Alice Vermeer
- Yenlik Bodaubay
- Michelle Davis
- Desiree Cedeno-Suarez
Violin II:
- Leah Mohling: Principal
- Takanori Sugishita: Assistant Principal
- Sue Levine
- Sarah Delevoryas
- Lori Walker
- Miriam Linschoten
- Regan Kane
- Azi Vieira
Flute:
- Pamela Vliek: Principal
- Elizabeth Saddle
- Olga Shylayeva
Piccolo:
- Olga Shylayeva
Oboe:
- Sarah Mellander: Principal
- Susanne Sawchuk
Horn:
- Michael Yopp: Principal
- Devon Park: Associate Principal
- Jeff Rubin
- Stuart Mock
Clarinet:
- Stephanie Zelnick: Principal
- Bronwyn Fraser
- Karen Dusek
Bass Clarinet:
- Karen Dusek
Bassoon:
- Charles Hansen: Principal
- Kim Peoria
- Wendy LaTouche
Viola:
- Mary Harrison: Principal
- Summer Rhodes: Assistant Principal
- Nancy McNeill
- Claire Figel
- Colin Garner
- Aniel Caban
Cello:
- Charles Lee: Principal
- Marcelo Sanches: Assistant Principal
- Elenore Wells
- Anne Brennand
- Yoriko Morita
- Sara Fierer
- Shirley Mock
- Georgia Blum
- Karen Terbeek
Bass:
- Dale Day: Principal
- Nan Lou Brown
- Brock Chambers
- David Crowe
- Sean Kelly
- Brian Knott
- Bob Orecchio
Trumpet:
- Mark Hyams: Principal
- Ken Aikin
- Roberta Goodall
Trombone:
- Johanna Rubsam: Principal
- Danielle Chollet
- Pete Vriesenga
Tuba:
- Michael Allen: Principal
Timpani:
- Doug Walter: Principal
Percussion:
- Hiroko Okada: Principal
- Paul Mullikin: Assistant Principal
Harp:
- Kathleen Wychulis: Principal
Piano:
- Arthur Olsen: Principal
Read more about this topic: Boulder Philharmonic Orchestra
Famous quotes containing the word musicians:
“As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.”
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“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)