Botticelli in Popular Culture
The 1968 TV film Prescription: Murder, which introduced the character of Columbo, begins with the murderer (Gene Barry), an arrogant psychiatrist, stumping party guests in a game of Botticelli by choosing Josef Breuer, an obscure psychological figure.
Napoleon Solo and Illya Kuryakin while away waiting time by playing Botticelli in several novels by David McDaniel based on the 1960s television series The Man from U.N.C.L.E..
A 1971 short play by Terrence McNally called Botticelli features two American soldiers playing the game while fighting in the Vietnam War.
In an episode of the 1980s TV comedy The Young Ones, Rick attempts to teach the game to his housemates, unsuccessfully.
In episode 8 of season 19 (2007) of The Simpsons, Cecil (Sideshow Bob's brother) begins to tell Bart how he and Bob used to play the game and begins to discuss the play before concurring with Bart's earlier comment that it is boring.
In Thomas Pynchon's novel The Crying of Lot 49, protagonist Oedipa Maas plays a game they call "Strip Botticelli" with lawyer Metzger in her motel room.
In an episode of the TV series Malcolm in the Middle, Malcolm plays Botticelli with the family of a girl he is dating.
Read more about this topic: Botticelli (game)
Famous quotes containing the words botticelli, popular and/or culture:
“If Botticelli were alive today he’d be working for Vogue.”
—Peter Ustinov (b. 1921)
“Both gossip and joking are intrinsically valuable activities. Both are essentially social activities that strengthen interpersonal bonds—we do not tell jokes and gossip to ourselves. As popular activities that evade social restrictions, they often refer to topics that are inaccessible to serious public discussion. Gossip and joking often appear together: when we gossip we usually tell jokes and when we are joking we often gossip as well.”
—Aaron Ben-Ze’Ev, Israeli philosopher. “The Vindication of Gossip,” Good Gossip, University Press of Kansas (1994)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)