Bon Jovi - Musical Style/genres

Musical Style/genres

Bon Jovi's musical style has generally been characterized as 'hard rock', 'pop/hair metal', 'arena rock' and 'pop rock', although they have also experimented and varied from these genres at times.

The band's first four albums blended the pop metal and hard rock genres, although they had mostly shed the pop metal sound by their fifth studio album, Keep the Faith, and their sixth, These Days, utilizing a more mature hard rock sound. Crush was characterized as "far enough into pop/rock to actually stand a chance of getting airplay", while Bounce was described as "heavy, serious rock". Have a Nice Day was also characterized as being heavier than Crush.

The band altered their sound dramatically in their next release, Lost Highway, blending influences from country music and country rock, a sound Jon Bon Jovi described as "a Bon Jovi album influenced by Nashville". Bon Jovi returned to a more typical rock sound on The Circle, which was described by Allmusic as "conjured by echoed, delayed guitars, shimmering keyboards, and spacious rhythms."

Read more about this topic:  Bon Jovi

Famous quotes containing the words musical and/or style:

    “Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
    —Marcel Proust (1871–1922)

    “I am so tired of taking to others
    translating my life for the deaf, the blind,
    the “I really want to know what your life is like without giving up any of my privileges
    to live it” white women
    the “I want to live my white life with Third World women’s style and keep my skin
    class privileges” dykes”
    —Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)