Bollywood Films of 2002 - Top Grossing Films

Top Grossing Films

The top grossing films at the Indian box office in 2002.

Rank Title Total gross Star Cast
1 Devdas 2,570 Shahrukh Khan, Aishwarya Rai, Madhuri Dixit, Jackie Shroff, Kirron Kher, Milind Gunaji Super Hit
2 Kaante 1,968 Amitabh Bachchan, Sanjay Dutt, Suniel Shetty, Mahesh Manjrekar, Malaika Arora, Lucky Ali, Gulshan Grover Above Average
3 Raaz 1,413 Dino Morea, Bipasha Basu, Ashutosh Rana, Malini Sharma Blockbuster
4 Aankhen 1,100 Amitabh Bachchan, Akshay Kumar, Arjun Rampal, Sushmita Sen, Paresh Rawal Average
5 Humraaz 954 Bobby Deol, Akshaye Khanna, Ameesha Patel, Johnny Lever Above Average
6 Hum Tumhare Hain Sanam 902 Salman Khan, Shahrukh Khan, Madhuri Dixit, Atul Agnihotri, Suman Ranganathan, Aishwarya Rai Semi Hit
7 Awara Paagal Deewana 867 Akshay Kumar, Suniel Shetty, Paresh Rawal, Aftab Shivdasani, Rahul Dev, Aarti Chabria, Preeti Jhangiani, Amrita Arora Above Average
8 Deewangee 732 Ajay Devgan, Akshaye Khanna, Urmila Matondkar, Vijayendra, Nirmal Pandey Super hit
9 Maa Tujhe Salaam 711 Sunny Deol, Tabu, Arbaaz Khan, Tinnu Verma Hit
10 Ek aur Ek Gyarah (film) 2002 681 Sanjay dutt, Govinda Below Average

Note: This year was one of the most unsuccessful years in Bollywood's history, which caused many films to be flops in India though they did well overseas. The films on the top 10 grossing list however, did very well in India.

Read more about this topic:  Bollywood Films Of 2002

Famous quotes containing the words top and/or films:

    Name me, if you can, a better feeling than the one you get when you’ve half a bottle of Chivas in the bag with a gram of coke up your nose and a teenage lovely pulling off her tube top in the next seat over while you’re doing a hundred miles an hour in a suburban side street.
    —P.J. (Patrick Jake)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)