New York City
In 1965, a year after his parole expired, he relocated to New York, hoping to revive his career on the Broadway stage, but was unsuccessful. He became part of Andy Warhol's Greenwich Village art community known as The Factory, where he began focusing on his artistic talents. He had previously been encouraged to do so by famed artist and poet Wallace Berman, whom he had befriended after joining Berman's art circle (now also known as Semina Culture) in Los Angeles in 1956. Some of his works were considered outstanding, and a few of his surviving collages and cardboard mailers were temporarily exhibited in Los Angeles at the Santa Monica Museum of Art. In 1965, early in his tenure at The Factory, Driscoll gave his last known film performance, in experimental filmmaker Piero Heliczer's underground movie Dirt.
Read more about this topic: Bobby Driscoll
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“The gay world that flourished in the half-century between 1890 and the beginning of the Second World War, a highly visible, remarkably complex, and continually changing gay male world, took shape in New York City.... It is not supposed to have existed.”
—George Chauncey, U.S. educator, author. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940, p. 1, Basic Books (1994)
“Gimme the Plaza, the jet and $150 million, too.”
—Headline, New York Post (Feb. 13, 1990)
“The city is all right. To live in one
Is to be civilized, stay up and read
Or sing and dance all night and see sunrise
By waiting up instead of getting up.”
—Robert Frost (1874–1963)