Poets Theater
Holman has directed and/or produced a steady stream of plays during his career, most of them written by poets. These include:
- Ted Berrigan's “Clear the Range” at St. Clement’s Episcopal Church Theater, 1977
- “4 Plays by Edwin Denby” at the Eye and Ear Theater, March 1981
- Ed Friedman’s “The White Snake” at the Eye and Ear Theater, May 1982
- W. H. Auden’s “Paid on Both Sides”, at the Eye and Ear Theater, May 1983
- A series produced at St. Mark’s Church between 1988 and 1990 comprising Millicent Dillon’s “She Is In Tangiers: Life and Work of Jane Bowles”, Vladimir Mayakovsky’s “Mayakovsky, a Tragedy,” Tristan Tzara’s “The Gas Heart”, Antonin Artaud’s “Jet of Blood”, and Holman’s own collaboration with Bob Rosenthal, “The Cause of Gravity”/”The Whore of the Alpines”/”Bicentennial Suicide.”
- D. Zhonzinsky's “Stop at Nothing” at The Kitchen, 1992
- Pedro Pietri's “Eat Rocks” at New Dramatists NYC
- Ed Sanders's “A Night at the Rebel Café” at the Bowery Poetry Club, 2003
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Famous quotes containing the words poets and/or theater:
“For just as poets love their own works, and fathers their own children, in the same way those who have created a fortune value their money, not merely for its uses, like other persons, but because it is their own production. This makes them moreover disagreeable companions, because they will praise nothing but riches.”
—Plato (c. 427–347 B.C.)
“This ... is an age of specialization, and in such an age the repertory theater is an anachronism, a ludicrous anachronism.”
—Minnie Maddern Fiske (1865–1932)