Plot
After a weekend of emotional honesty at an Esalen-style retreat, Los Angeles sophisticates Bob and Carol Sanders (played by Robert Culp and Natalie Wood) return to their life determined to embrace free love and complete openness. Bob and Carol happily reveal their ensuing love affairs to everyone, sparking both the curiosity and repulsion of their more conservative close friends Ted and Alice Henderson (Elliott Gould and Dyan Cannon).
When the two couples travel together to Las Vegas, Ted admits to an affair of his own. An outraged Alice demands that this new ethos be taken to its obvious conclusion: a mate-sharing foursome. But when they are actually ready to begin the deed, something within all four of them prevents it; the film never explains what that something is or may be. In the last scene of the movie, they are in the elevator coming down from their “trip”. They are shell shocked. All of them have woken up (in the evening) to their collective morning after. The music swells “...what the world needs now is love sweet love..."
Read more about this topic: Bob & Carol & Ted & Alice
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And providently Pimps for ill desires:
The Good Old Cause, revivd, a Plot requires,
Plots, true or false, are necessary things,
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—John Dryden (16311700)
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—John Ashbery (b. 1927)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)