Black & White Records - Artists

Artists

  • Al Killian
  • Al Lerner
  • Annette Warren
  • Art Hodes
  • Cee Pee Johnson
  • Cliff Jackson
  • Chino Oritz
  • Dick Cary
  • Earle Spencer
  • Ernestine Anderson
  • Estelle Edson
  • Etta Jones
  • Gene Schroeder
  • George Wettling
  • Gerald Wilson
  • Hank Duncan
  • Helen Humes
  • Hip Chicks †
  • Henry King
  • Ivie Anderson
  • Jack McVea
  • Jo Evans
  • Joe Marsala
  • Junior Jazz at the Auditorium ‡
  • Kay Thomas
  • Lena Horne
  • Lil Armstrong
  • Linda Keene
  • Lucius "Mushmouth" Robinson
  • Maggie Hathaway ₩
  • Maxwell Davis
  • Nat Jaffe
  • Phil Moore
  • Al Sack
  • Ray Stokes
  • Red Callender
  • Rod Cless Quartet
  • The Spirits of Rhythm
  • Tommy Todd
  • Wilbert Baranco
  • Will Osborne
  • Willie "The Lion" Smith


Hip Chicks personnel (all female)

  1. Marjorie Hyams (vibraphone)
  2. L'Ana Hyams (tenor sax; née Alleman; 1912–1997), a bandleader married to Marjorie's brother and jazz pianist Mark Hyams (1914–2007) who was formerly married to jazz guitarist Jimmy Webster (James Donart Webster; 1908–1978)
  3. Jean Starr (trumpet)
  4. Vicki Zimmer (piano)
  5. Marion Gange (guitar)
  6. Cecilia Zirl (bass)
  7. Rose Gottsman (drums)
  8. Vivien Garry (vocal)

Ralph Bass Junior Jazz at the Auditorium were recordings of jam sessions held by Ralph Bass in Compton, California, at teenage functions with name jazz musicians brought in as guests. The first recording session was August 26, 1946, and included Slim Gaillard, Nick Fatool, Howard McGhee, Lucky Thompson, Les Paul, and Ivy Anderson. Bass hosted these sessions, in part, to help fight juvenile delinquency.

Maggie Hathaway and Her Bluesmen personnel

  • Ramon Larue, piano
  • Samuel E. Joshua, drums
  • Theodore Leroy Bunn, guitar
  • Julius Gilmore, Bass

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Famous quotes containing the word artists:

    For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential—the imagination.
    Lawrence Durrell (1912–1990)

    ... artists were intended to be an ornament to society. As a society in themselves they are unthinkable.
    Elizabeth Bowen (1899–1973)

    In dealings with scholars and artists we are apt to miscalculate in opposite directions: behind a remarkable scholar we sometimes, and not infrequently, find a mediocre man, and behind a mediocre artist, fairly often—a very remarkable man.
    Friedrich Nietzsche (1844–1900)