The Books
Volume 1 is a field guide. A nine-page introduction is followed by 180 colour plates, each with an accompanying text page giving brief identification notes, and, for most species, range maps. In addition to the 69 plates by Anderton, eleven other artists contributed, including Ian Lewington and Bill Zetterström. Volume 2: Attributes and Status contains more detailed supporting texts for every species. Twelve other authors are listed as having contributed to this volume, including Per Alström, Nigel Collar and Craig Robson. This volume opens with an appreciation, written by Bruce Beehler, of S. Dillon Ripley, who initiated the work which led to the book, and after whom it is named. This is followed by a 24-page introduction. The bulk of the book, from pages 41 to 601, consists of individual species accounts; each of these includes sections on identification, occurrence, habits and voice (this latter section accompanied by sonograms for many species). There are ten appendices, including a hypothetical list, a list of rejected species, a summary of taxonomic changes, a glossary, a gazetteer, and a list of institutions holding major collections of South Asian bird specimens.
The book's covers are illustrated by montages of South Asian birds, painted by Anderton. Volume 1 features Crimson-backed Flameback, Stork-billed Kingfisher, Indian Eagle-owl, Black-and-orange Flycatcher and Himalayan Quail on its front cover. Volume 2 features six laughingthrush species: Variegated, Bhutan, Grey-sided, Blue-winged, Black-chinned and Assam. The back covers of both volumes feature a painting of Serendib and Nicobar Scops-owls.
Read more about this topic: Birds Of South Asia. The Ripley Guide
Famous quotes containing the word books:
“Learning is, in too many cases, but a foil to common sense; a substitute for true knowledge. Books are less often made use of as “spectacles” to look at nature with, than as blinds to keep out its strong light and shifting scenery from weak eyes and indolent dispositions.... The learned are mere literary drudges.”
—William Hazlitt (1778–1830)
“Most books belong to the house and street only, and in the fields their leaves feel very thin. They are bare and obvious, and have no halo nor haze about them. Nature lies far and fair behind them all. But this, as it proceeds from, so it addresses, what is deepest and most abiding in man. It belongs to the noontide of the day, the midsummer of the year, and after the snows have melted, and the waters evaporated in the spring, still its truth speaks freshly to our experience.”
—Henry David Thoreau (1817–1862)