Film Career
After training at RADA, Whitelaw made her stage debut at age 18 in London 1950. She made her film debut in The Sleeping Tiger (1954), followed by roles in Carve Her Name With Pride (1958) and Hell Is a City (1960). Whitelaw soon became a regular in British films of the 1950s and early 1960s. In her early film work she specialized in blousy blondes and secretaries, but her dramatic range began to emerge by the late 1960s. She starred alongside Albert Finney in Charlie Bubbles (1967), a performance which won her a BAFTA award as Best Actress in a Supporting Role. She would win her second BAFTA as the sensuous mother of college student Hayley Mills in the psychological study Twisted Nerve (1969). She continued in film roles including Leo the Last (1970), Start the Revolution Without Me (1970), Gumshoe (1971) and the Alfred Hitchcock thriller Frenzy (1972).
Whitelaw gained international acclaim for her chilling role as Mrs. Baylock, the evil guardian of the demon child Damien in The Omen (1976). Her performance was considered one of the most memorable of the film, winning her the Evening Standard British Film Award for Best Actress. Other films included performing the voice of Aughra in The Dark Crystal, as the hopelessly naive Mrs. Hall in Maurice (1987), one of two sisters, with Joan Plowright, struggling to survive in war-time Liverpool in The Dressmaker (1988), the fiercely domineering and protective mother of psychopathic twin murderers in The Krays (1990), a performance that earned her a BAFTA nomination, as the nurse Grace Poole in Jane Eyre (1996), and the blind laundress in Quills (2000). She returned to film, in a comedy turn, as Joyce Cooper in Hot Fuzz (2007). According to Simon Pegg, his wife accidentally referred to her as "Willie Bitelaw".
In 1970, she was a member of the jury at the 20th Berlin International Film Festival.
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