Bill Finger - Early Life and Career

Early Life and Career

Finger was born in 1914 to a Jewish family. He joined Bob Kane's nascent studio in 1938. An aspiring writer and a part-time shoe salesman, he had met Kane at a party; Kane later offered him a job ghost writing the strips Rusty and Clip Carson.

Early the following year, National Comics' success with the seminal superhero Superman in Action Comics prompted editors to scramble for similar heroes. In response, Kane conceived "the Bat-Man". Finger recalled that Kane

...had an idea for a character called 'Batman', and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN.

Finger offered such suggestions as giving the character a cowl instead of the domino mask, a cape instead of wings, adding gloves, and removing the red sections from the original costume. He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic strip character with which Kane was familiar as well, and that he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne." As Kane summed up decades later in his autobiography, "Bill Finger was a contributing force on Batman right from the beginning... I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective."

Finger wrote both the initial script for Batman's debut in Detective Comics #27 (May 1939) and the character's second appearance, while Kane provided art. Batman proved a breakout hit, and Finger went on to write many of the early Batman stories, including making major contributions to the character of the Joker as well as other major Batman villains. When Kane wanted Robin's origin to parallel Batman's, Finger made Robin's parents circus performers murdered while performing their trapeze act.

Bill Finger recalled that,

Robin was an outgrowth of a conversation I had with Bob. As I said, Batman was a combination of Douglas Fairbanks and Sherlock Holmes. Holmes had his Watson. The thing that bothered me was that Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking. I found that as I went along Batman needed a Watson to talk to. That's how Robin came to be. Bob called me over and said he was going to put a boy in the strip to identify with Batman. I thought it was a great idea".

Comics historian Jim Steranko wrote in 1970 that Finger's slowness as a writer led Batman editor Whitney Ellsworth to suggest Kane replace him, a claim reflected in Joe Desris' description of Finger as "notoriously tardy." During Finger's absence, Gardner Fox contributed scripts that introduced Batman's early "Bat-" arsenal (the utility belt, the Bat-Gyro/plane and the Batarang). Upon his return, Finger created or co-created items such as the Batmobile and Batcave, and is credited with providing the name "Gotham City". Among the things that made his stories distinctive were a use of giant-sized props: enlarged pennies, sewing machines, or typewriters.

Eventually, Finger left Kane's studio to work directly for DC Comics, where he supplied scripts for characters including Batman and Superman (introducing to the latter's mythos the character Lana Lang). He would eventually write for other companies as well, including Fawcett Comics, Quality Comics, and Marvel Comics' 1940s predecessor, Timely Comics.

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