Story
The song tells the story of a mysterious and quiet miner who earned the nickname Big John because of his height, weight, and muscular physique ("He stood six foot six and weighed two forty-five"). He supposedly came from New Orleans, where he killed a man over a Cajun Queen.
One day, a support timber cracked at the mine where John worked. The situation looked hopeless until John "grabbed a saggin' timber, gave out with a groan / and like a giant oak tree just stood there alone", then "gave a mighty shove", opening a passage and allowing the 20 other miners to escape the mine. Although the miners were about to reenter the mine with the tools necessary to save him, the mine fully collapsed and John was believed to have died in the depths of the mine. The mine itself was never reopened, but a marble stand was placed in front of it, with the words "At the bottom of this mine lies one hell of a man---Big John". (Some versions of the song change the last line to "lies a big, big man" to replace what was at the time considered to be borderline profane language.)
Its 1962 sequel, The Cajun Queen, describes the arrival of "Queenie", Big John's Cajun Queen, who rescues John from the mine and marries him. Eventually, they have "a hundred and ten grandchildren". The sequel's events are more exaggerated than the first, extending the story into the realm of tall tales.
In June 1962, the story continued (and evidently concludes) with the arrival of Little Bitty Big John, (the flip side to Steel Men on Columbia 4-42483), learning about his Father's act of heroism.
In 1964, Dottie West recorded a sequel to the song called My Big John. This song was told from the point of view of the "Cajun Queen" that drove John away---her search for him, then discovering about his death.
Read more about this topic: Big Bad John
Famous quotes containing the word story:
“I know not whether the remark is to our honour or otherwise, that lessons of wisdom have never such power over us, as when they are wrought into the heart, through the ground-work of a story which engages the passions: Is it that we are like iron, and must first be heated before we can be wrought upon?”
—Laurence Sterne (1713–1768)
“From the beginning, the placement of [Clarence] Thomas on the high court was seen as a political end justifying almost any means. The full story of his confirmation raises questions not only about who lied and why, but, more important, about what happens when politics becomes total war and the truth—and those who tell it—are merely unfortunate sacrifices on the way to winning.”
—Jane Mayer, U.S. journalist, and Jill Abramson b. 1954, U.S. journalist. Strange Justice, p. 8, Houghton Mifflin (1994)
“Grief that is dazed and speechless is out of fashion: the modern woman mourns her husband loudly and tells you the whole story of his death, which distresses her so much that she forgets not the slightest detail about it.”
—Jean De La Bruyère (1645–1696)