Biblical criticism, defined as the treatment of biblical texts as natural rather than supernatural artifacts, grew out of the rationalism of the 17th and 18th centuries. In the 19th century it was divided between the higher criticism, the study of the composition and history of biblical texts, and lower criticism, the close examination of the text to establish their original or "correct" readings. These terms are largely no longer used, and contemporary criticism has seen the rise of new perspectives which draw on literary and multidisciplinary sociological approaches to address the meaning(s) of texts and the wider world in which they were conceived.
A division is still sometimes made between historical criticism and literary criticism. Historical criticism seeks to locate the text in history: it asks such questions as when the text was written, who the author/s might have been, and what history might be reconstructed from the answers. Literary criticism asks what audience the authors wrote for, their presumptive purpose, and the development of the text over time.
Historical criticism was the dominant form of criticism until the late 20th century, when biblical critics became interested in questions aimed more at the meaning of the text than its origins and developed methods drawn from mainstream literary criticism. The distinction is frequently referred to as one between diachronic and synchronic forms of criticism, the former concerned the development of texts through time, the latter treating texts as they exist at a particular moment, frequently the so-called "final form", meaning the Bible text as we have it today.
Read more about this topic: Biblical Criticism
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