Career
In 1987, Bettina Rheims created the music video Voyage, voyage by Desireless.
In 1995, she took the official portrait photograph of Jacques Chirac, President of the French Republic.
In 1998, she published, with Serge Bramly, I.N.R.I., retracing the life of Jesus in contemporary settings. Controversial in Christian circles, the book was published simultaneously in several countries (France, Germany, USA and Japan), evoking a scandal in France in particular. The exhibition is still touring in different museums in Europe.
In 2000, she published X’Mas, a series of photographs of young girls discovering their femininity.
In 2003 her book Shanghai, realized together with Serge Bramly, after a 6 month stay in the city, was published by Robert Laffont. The book portrayed the city through the images of women of different backgrounds.
In 2004 her book More Trouble, retraced ten years of her photography, mostly of famous women. At the same time her work was shown in a major retrospective, the first venues for which were Helsinki, Oslo, Vienna, Düsseldorf and Brussels.
In 2007, book "Heroines. Bettina Rheims' 2005 photo series of 50 women sporting the newest Parisian haute couture creations provides answers that range from perplexing to provocative.
Her last publication The Book Of Olga, realized in 2008 on behalf of the Russian millionaire Sergey Rodionov, was her first remittance work which portrayed his wife Olga Rodionova.
Read more about this topic: Bettina Rheims
Famous quotes containing the word career:
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (18801964)
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)