Life and Career
Greenhouse was born in Newark, New Jersey. He started his professional studies with Felix Salmond at the Juilliard School when he was eighteen. After four years of study with Salmond, Greenhouse proceeded to move on to studies with Emanuel Feuermann, Diran Alexanian, and then became one of the very few long term students of Pablo Casals, studying with him from 1946 to 1948.
After finishing studies with Casals, Greenhouse went on to pursue a solo career for twelve years. He struggled with this however, as the cello was not a very popular solo instrument at the time. During this period he encountered violinist Daniel Guilet, who invited Greenhouse to record some Mozart piano trios with pianist Menahem Pressler. In 1955 they met in New York City, the first meeting of what was to become the Beaux Arts Trio.
In 1958, Greenhouse acquired the Countess of Stanlein, also called the Paganini Strad, one of 63 Antonio Stradivari celli, and as of 2008 he has played it ever since. Following his death it was to be sold by Boston violin dealer Christopher Reuning.
In 1987, he left the trio, and was replaced with cellist Peter Wiley. Greenhouse was known for his impeccable technique, but even more so for his inspiring passion and the depth and variety of his sound.
During his career, he taught at the State University of New York at Stony Brook, Manhattan School of Music, New England Conservatory, Rutgers University and the Juilliard School. A series of videos of his master classes were produced in 1993 by Ethan Winer.
Though retired from institutional teaching, Greenhouse still gave master classes throughout the United States, Canada, China, Korea, Japan and Europe until his death in 2011.
Interviewed as the farewell concert of the Beaux Arts Trio on August 21, 2008 approached, he said he practiced every day and was considered "the old man of the cello", with other aging cellists being surprised that he still performed at the age of 95. Greenhouse also remained the oldest of those who have played in the trio, until at least 2015, Daniel Guilet (who was born about a week short of 17 years earlier) having died at the age of 91, and Isidore Cohen having died at 82.
Greenhouse's second passion was sailing on one of his several boats. He died on May 13, 2011 at his home overlooking the Wellfleet, Massachusetts harbor on Cape Cod. His daughter, Elena, with Aurora de la Luz Fernandez y Menendez, was married to author Nicholas Delbanco. His grandson-in-law is director Nicholas Stoller.
Read more about this topic: Bernard Greenhouse
Famous quotes containing the words life and, life and/or career:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Without poets, without artists, men would soon weary of nature’s monotony. The sublime idea men have of the universe would collapse with dizzying speed. The order which we find in nature, and which is only an effect of art, would at once vanish. Everything would break up in chaos. There would be no seasons, no civilization, no thought, no humanity; even life would give way, and the impotent void would reign everywhere.”
—Guillaume Apollinaire (1880–1918)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)