Bernard Berenson - Works

Works

  • Venetian Painters of the Renaissance (1894)
  • Lorenzo Lotto: An Essay in Constructive Art Criticism (1895)
  • Florentine Painters of the Renaissance (1896)
  • Central Italian Painters of the Renaissance (1897)
  • The Sense of Quality: Study and Criticism of Italian Art (1901; second series, 1902)
  • The Drawings of the Florentine Painters (1903), his masterpiece
  • North Italian Painters of the Renaissance (1907)
  • A Sienese Painter of the Franciscan Legend (1910)
  • Venetian Painting in America: The Fifteenth Century (New York, 1916)
  • Essays in the Study of Sienese Painting (New York, 1918)
  • Aesthetics, ethics and history in the arts of visual representation (Estetica, Etica e Storia nelle Arti della Rappresentazione Visiva) (1948)
  • The Italian Painters Of The Renaissance (1952)
  • Rumor and Reflection (New York, 1952)
  • Caravaggio: his incongruity and his fame (1953)
  • Seeing and Knowing New York Graphic Society, Ltd., (1953)
  • The Passionate Sightseer (New York, 1960)
  • Sunset and Twilight (New York, 1963)

Most of his books were published in the United States and went through many editions.

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Famous quotes containing the word works:

    “When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
    —Ralph Waldo Emerson (1803–1882)

    “In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
    —Joseph De Maistre (1753–1821)

    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
    —Hannah More (1745–1833)