Berber Music - Musical/Vocal Styles

Musical/Vocal Styles

Berber music is well known for its use of folk oral traditions, as well as particular scales and rhythmic patterns, which include pentatonic music and African rhythms. All these tunes are combined together to form one of the main sources of entertainment in Berber social ceremonies like marriages, verses, tales and songs.

Berber vocal styles in Morocco consist of two main types. The first, called Ahwash, is exclusively village music, probably unchanged for centuries or longer. Ahwash texts emphasize the submission of the individual to the community. Typically, it consists of two large choruses engaging in call-and-response vocals, accompanied by instrumentalists and dancers. Since this music requires anywhere from 20 to 150 participants, it is not easily portable and so rarely heard in the cities.

The second, called Raiss, is performed by smaller groups of professional musicians who blend dance, comedy, and sung poetry. Raiss songs tend to honor orthodox Islam, but with notable dashes of syncretist belief. In these songs, things like sacrifices and evil eyes are justified in terms of Islam. Instruments typically include the rebab, a one-stringed fiddle, the lotar lute, hand drums, and a bell. One notable feature of rwais (rais, singular) melodies is the way they leap up and down in large intervals.

The region of Kabylie in Algeria has a very large Berber-speaking population. Vocalists are usually accompanied by a rhythm section, consisting of "tbel" (tambourine) and "bendir" (frame drum), and a melody section, consisting of a "ghayta" (bagpipe) and "ajuag" (flute).

The Berber music of the Tuareg region uses rhythms and vocal styles similar to the music of other Berber, Iberian, and Arab music, while West African call-and-response-style singing is also common. In contrast to many of the region's peoples, among the Tuareg, music is mostly the domain of women, especially the imzhad, a string instrument like a violin. Tuareg weddings feature unique styles of music, such as the vocal trilling of women and special dances (ilkan) of slaves marking the occasion.

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