Composing For Television and Film
Jordan has seen much success for himself in composing for television and film. In 2006, Jordan's music ("Passage D" from his album Kirlian Selections) was featured in Dove's Evolution promotional campaign for its Campaign for Real Beauty website, which has drawn a large amount of attention from the mainstream media. The campaign took the commercial film winner at Cannes as well as many other prestigious awards. In addition, Jordan was nominated for a 2007 London International Award for the "Best Use Of Music" category; he went on to win the ceremony's grand prize. In 2008, he was nominated again at the London International Awards for "Best Use of Music," although he did not take the grand prize. In 2008 he was also a Webby Award nominee and took the Grand Prix at the Cannes Film Festival. In 2008, Jordan had completed work in branding, having created stings and trademark sounds for companies such as Dove, Knowledge, Verizon, and many others. In July 2012, he released an original score entitled "The Universe," which was commissioned by Chicago's Adler Planetarium for a new interactive exhibit dedicated to the evolution of the universe.
Jordan is currently composes for film, television, and gaming through Vapor Music Group, a large international creative firm operating out of Toronto; he also currently owns and operates his own production and recording facilities in Chicago.
Read more about this topic: Benn Jordan
Famous quotes containing the words composing, television and/or film:
“If I had my life over again I should form the habit of nightly composing myself to thoughts of death. I would practise, as it were, the remembrance of death. There is no other practice which so intensifies life. Death, when it approaches, ought not to take one by surprise. It should be part of the full expectancy of life. Without an ever- present sense of death life is insipid. You might as well live on the whites of eggs.”
—Muriel Spark (b. 1918)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)