Criticism
In response to continuing rejections of the Beneficial Acclimation Hypothesis, a number of common criticisms of experimental tests have been developed:
1. The majority of studies have actually been examining developmental acclimation. That is, rather than acclimating an adult individual and testing, they suggest that developmental switches triggered by particular temperatures result in a different mechanism of acclimation. More recently, it has been found that adult acclimation and developmental acclimation lead to support for different hypotheses.
2. Most studies have included stressful temperatures. Acclimation to those temperatures may decrease fitness in an individual.
3. Finally, a variety of traits are examined in these studies that may only be indirectly linked to fitness. For example, examining longevity as a fitness measure in D. melanogaster may be irrelevant since fertility declines rapidly with age in this species.
Read more about this topic: Beneficial Acclimation Hypothesis
Famous quotes containing the word criticism:
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)