Career
In 1983 while still at high school, he appeared in the role of an enslaved Inca in the Heidelberg Theatre Companys production of "The Royal Hunt of the Sun".
After several early television roles, including The Henderson Kids, he attracted notice in his breakout film, The Year My Voice Broke (1987), winning him the Australian Film Institute Award for Best Supporting Actor. His next major role was in The Big Steal (1990), and Spotswood (1992) co-starring with Anthony Hopkins; this was followed in 1996 by Cosi (film) and Idiot Box. In 2000 he was in two contrasting films, the Australian Mullet and the Hollywood Vertical Limit.
In 2005, he was preparing to play Mark Antony in the Sydney Theatre Company-produced Julius Caesar, and he is in the Terrence Malick-directed film The New World.
In 2007, Mendelsohn starred in the third season of the TV series Love My Way and in 2008, he appeared in Baz Luhrmann's Australia and filmed the 10-part Melbourne series Tangle, which premiered on Showcase in 2009. In 2009, he appeared in the American science fiction film Knowing directed by Alex Proyas. The same year, Mendelsohn starred as Ned in Beautiful Kate, directed by Rachel Ward, opposite Bryan Brown and Rachel Griffiths.
In 2010, he appeared in Animal Kingdom, starring in the film as Andrew 'Pope' Cody, a criminal on the run from the law living in the notorious Melbourne Underworld. This role won him many awards including IF Award's Best Actor and the AFI's award for Best Actor in a Leading Role. He was also named GQ Australia's Actor of the Year for 2010.
He was selected as one of the entrants to the Who's Who in Australia 2012 edition. In 2012, Mendelsohn played the supporting role of John Daggett in Christopher Nolan's The Dark Knight Rises.
In 2012, he appreared in Florence + the Machine's music video for Lover to Lover. The video was directed by Vincent Haycock.
Read more about this topic: Ben Mendelsohn
Famous quotes containing the word career:
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)