Career
In 1983 while still at high school, he appeared in the role of an enslaved Inca in the Heidelberg Theatre Companys production of "The Royal Hunt of the Sun".
After several early television roles, including The Henderson Kids, he attracted notice in his breakout film, The Year My Voice Broke (1987), winning him the Australian Film Institute Award for Best Supporting Actor. His next major role was in The Big Steal (1990), and Spotswood (1992) co-starring with Anthony Hopkins; this was followed in 1996 by Cosi (film) and Idiot Box. In 2000 he was in two contrasting films, the Australian Mullet and the Hollywood Vertical Limit.
In 2005, he was preparing to play Mark Antony in the Sydney Theatre Company-produced Julius Caesar, and he is in the Terrence Malick-directed film The New World.
In 2007, Mendelsohn starred in the third season of the TV series Love My Way and in 2008, he appeared in Baz Luhrmann's Australia and filmed the 10-part Melbourne series Tangle, which premiered on Showcase in 2009. In 2009, he appeared in the American science fiction film Knowing directed by Alex Proyas. The same year, Mendelsohn starred as Ned in Beautiful Kate, directed by Rachel Ward, opposite Bryan Brown and Rachel Griffiths.
In 2010, he appeared in Animal Kingdom, starring in the film as Andrew 'Pope' Cody, a criminal on the run from the law living in the notorious Melbourne Underworld. This role won him many awards including IF Award's Best Actor and the AFI's award for Best Actor in a Leading Role. He was also named GQ Australia's Actor of the Year for 2010.
He was selected as one of the entrants to the Who's Who in Australia 2012 edition. In 2012, Mendelsohn played the supporting role of John Daggett in Christopher Nolan's The Dark Knight Rises.
In 2012, he appreared in Florence + the Machine's music video for Lover to Lover. The video was directed by Vincent Haycock.
Read more about this topic: Ben Mendelsohn
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
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—Letty Cottin Pogrebin (20th century)