Belgrade - Media

Media

See also: List of media organisations in Belgrade

Belgrade is the most important media hub in Serbia. The city is home to the main headquarters of the national broadcaster Radio Television Serbia – RTS, which is a public service broadcaster. The most popular commercial broadcaster is RTV Pink, a Serbian media multinational, known for its popular entertainment programs. The most popular commercial "alternative" broadcaster is B92, another media company, which has its own TV station, radio station, and music and book publishing arms, as well as the most popular website on the Serbian internet. Other TV stations broadcasting from Belgrade include Prva Srpska Televizija (formerly Fox televizija), Avala, Košava, and others which only cover the greater Belgrade municipal area, such as Studio B. Numerous specialised channels are also available: SOS channel (sport), Metropolis (music), Art TV (art), Cinemania (film), and Happy TV (children's programs).

High-circulation daily newspapers published in Belgrade include Politika, Blic, Večernje novosti, Press, Kurir and Danas. There are 2 sporting dailies, Sportski žurnal and Sport, and one economic daily, Privredni pregled. A new free distribution daily, 24 sata, was founded in the autumn of 2006. Also, Serbian editions of the world-famous magazines such as Playboy, Cosmopolitan, Elle, National Geographic, Men's Health, The Best Shop, Grazia and others have their headquarters based in the city.

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Famous quotes containing the word media:

    Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.
    Marianne E. Neifert (20th century)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)

    The media have just buried the last yuppie, a pathetic creature who had not heard the news that the great pendulum of public conciousness has just swung from Greed to Compassion and from Tex-Mex to meatballs.
    Barbara Ehrenreich (b. 1941)