Beginning of The End - Critical Reception

Critical Reception

Beginning of the End made Bert I. Gordon famous for his giant monster films. Critics and film historians point out that the film is only one of many which drew heavily on most Americans' fear about atomic weapons, open-air nuclear tests, and the possibility of nuclear war. However, Beginning of the End had very little of the metaphorical creativity of films such as Godzilla or Them! A more recent assessment, however, concludes that the film taps more deeply into 1950s Americans' worries over invasive species and growing unease over pesticides (like DDT).

The film received extensive negative reviews at the time of its release and by modern film historians. Variety was particularly negative. Calling the movie "derivative", the industry trade publication said, "Summarizing the plot of Beginning of the End is like rehashing the story of several dozen similar films." The publication felt that not much effort had been put into the film. "Even taken on its own terms—as a low-budget exploitation feature—Beginning of the End hardly reflects the best effort of a major theatre circuit." It called the special effects "obvious" and decried the use of stock footage. The reviewer felt the screenplay was "ludicrous" and cliché-ridden. The magazine believed Peter Graves had turned in a decent performance, but described Peggie Castle's performance as "unconvincing" and Morris Ankrum's as "artificial". The cinematography and editing were, it concluded, average. Mae Tinnee, reviewing the motion picture for the Chicago Tribune (which might be expected to go easy on the film due to the Chicago locale), had several negative things to say about it. "The film obviously was made on a shoestring budget, and the people in it are no more than props for the magnified insects. I doubt if it will fool anyone. But youngsters will probably think it's great stuff." The Los Angeles Times was far harsher in its assessment. Its unsigned review concluded: "The audience is cheated in the production. The conclusion is never in doubt and the process shots are so obvious that one is startled the first time a buffalo-sized grasshopper hits the screen but never again. And at no time are there more than a half-dozen of the things shown at once, although the script avers that there are thousands about and more coming." As of 2008, Beginning of the End is still "one of the most excoriated creature features." Leonard Maltin summed up his review in one word: "awful". Another recent film guide called it "Bottom-of-the-sci-fi-barrel rubbish, very boring to watch." One review pointed out that Gordon didn't even bother to hide the mountains in the background of the shots (Central Illinois is mostly flat prairie land). Some have also been upset with film's lack of horrifying images. The derivative nature of the picture has also upset some critics. Critics say the film covered almost the same ground as the far superior monster movie Them!, and it is clear that Gordon merely wanted to "cash in" on giant bug craze rather than come up with a story that was fresh and creative.

There have been some positive reviews, however. One modern critic said "the story is adequately paced, the acting is engaging, and we still get a thrill seeing the Army guys empty their cartridges at the unstoppable insects." Another modern reviewer found the screenplay effective, especially the beginning: "As in Deadly Mantis, the complete disappearance of the victims is especially chilling, as is the notion of 150 men, women and children being devoured overnight while in their beds. This aspect is like something out of Lovecraft, although it is not exploited as well as it could have been." Producer-director Bert I. Gordon said he did not care whether reviews were bad; what mattered was whether people went to see the film: "The movie audience these days consists almost entirely of teenagers. Either they're naïve and go to get scared, or they're sophisticated and enjoy scoffing at the pictures. There isn't much a teenager can scoff at these days, you know." Lead actor Peter Graves also felt the film worked on a certain level. "I think they played OK. ... All of that was ludicrous, but there were a certain amount of people who 'bought' it and loved it."

Beginning of the End has become somewhat infamous because of its notoriously poor production values and unrealistic plot. The movie was parodied in the 11th season of the hit animated television program The Simpsons in the episode "E-I-E-I-(Annoyed Grunt)." In that episode, Homer Simpson grows giant vegetables using radioactive materials, and automatically assumes that any animal eating the food will become monstrous. Homer even attempts to recall Beginning of the End as evidence of his claim, although he misremembers the title as Grasshopperus and the star as Chad Everett (another blond, all-American actor similar to Peter Graves).

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