Beethoven - Beethoven On Screen

Beethoven On Screen

Eroica is a 1949 Austrian film depicting life and works of Beethoven (Ewald Balser). It was entered into the 1949 Cannes Film Festival. The film is directed by Walter Kolm-Veltée, produced by Guido Bagier with Walter Kolm-Veltée and written by Walter Kolm-Veltée with Franz Tassié.

In 1962, Walt Disney produced a made-for-television, largely fictionalised, life of Beethoven titled The Magnificent Rebel, starring Karlheinz Böhm as Beethoven. The film was given a two-part premiere on the Walt Disney anthology television series, and was released to theatres in Europe.

In 1994 a film about Beethoven (played by Gary Oldman) entitled Immortal Beloved was written and directed by Bernard Rose. The story follows Beethoven's secretary and first biographer, Anton Schindler (portrayed by Jeroen Krabbé), as he attempts to ascertain the true identity of the Unsterbliche Geliebte (Immortal Beloved) addressed in three letters found in the late composer's private papers. Schindler journeys throughout the Austrian Empire to interview potential candidates. Filming took place in the Czech cities of Prague and Kromeriz, and the Zentralfriedhof in Vienna, Austria, between 23 May and 29 July 1994.

In 2003 a made-for-television BBC/Opus Arte film Eroica dramatised the 1804 first performance of the Eroica Symphony at the palace of Prince Lobkowitz. Ian Hart was cast as Beethoven, while Jack Davenport played Prince Lobkowitz; the Orchestre Révolutionnaire et Romantique conducted by Sir John Eliot Gardiner perform the Symphony in its entirety during the film.

In a 2005 three-part BBC miniseries, Beethoven was played by Paul Rhys.

A movie entitled Copying Beethoven was released in 2006, starring Ed Harris as Beethoven. This film is a fictionalised account of Beethoven's production of his Ninth Symphony.

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Famous quotes containing the words beethoven and/or screen:

    Must it be? It must be.
    [Muss es sein? Es muss sein.]
    —Ludwig Van Beethoven (1770–1827)

    She was custom built for the pictures—teeny tiny, one inch less than five foot, and a perfectly enormous head. Her face went right from one side of the screen to the other. Gloria Swanson was like that, as well. Joan Crawford, too. You need the big face, for the closeups.
    Angela Carter (1940–1992)