Bee Cliff (Tennessee) - Motion Picture Scene Filmed at The Bee Cliff

Motion Picture Scene Filmed At The Bee Cliff

During 1989, many scenes from the Chuck Norris action film Delta Force 2: The Colombian Connection were filmed at the Bee Cliff and other Carter County sites:

  • Filmed in the Philippines, Elizabethton, Tennessee, and other various Carter County, Tennessee locations such as Buck Mountain and the Bee Cliff. The "Palace In The Sky" resort in Tagaytay was used as the setting for Ramon Cota's hideout. The interior set of the Cota's hideout (and the sets from many other interior scenes) from Delta Force 2 were actually constructed within the warehouse of former shampoo manufacturer in Elizabethton. Shampoo labels with an Elvis-like caricature for "Love Me Tender Shampoo" were found still attached to columns within the warehouse stage.
  • A long shot showing the Colonel Scot McCoy character (played in the movie by Chuck Norris) climbing a towering cliff face in order to invade Ramon Cota's palace was filmed in the Philippines, but the accompanying close-up shot of McCoy pausing on the cliff face was actually shot at the river level base of the Bee Cliff with Norris and film crew aboard inflatable rafts while filming this close-up afloat on the Watauga River.

Read more about this topic:  Bee Cliff (Tennessee)

Famous quotes containing the words motion, picture, scene, filmed, bee and/or cliff:

    A field of water betrays the spirit that is in the air. It is continually receiving new life and motion from above. It is intermediate in its nature between land and sky.
    Henry David Thoreau (1817–1862)

    To be motivated to sit at home and study, instead of going out and playing, children need a sense of themselves over time—they need to be able to picture themselves in the future.... If they can’t, then they’re simply reacting to daily events, responding to the needs of the moment—for pleasure, for affiliation, for acceptance.
    Stanley I. Greenspan (20th century)

    I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, or possibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene ...
    Minnie Maddern Fiske (1865–1932)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    He looked like the love thoughts of women. He could be a bee to a blossom—a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.
    Zora Neale Hurston (1891–1960)

    You could not tell, and yet it looked as if
    The shore was lucky in being backed by cliff,
    The cliff in being backed by continent;
    It looked as if a night of dark intent
    Was coming, and not only a night, an age.
    Robert Frost (1874–1963)