Because of You (Kelly Clarkson Song) - Critical Reception

Critical Reception

Film Laureate of Blogcritics considered "Because of You" and "Where Is Your Heart" as his two favorite songs from Breakaway, writing " commands these two songs like a seasoned pro and directs herself in her songs the way Steven Spielberg said Barbra Streisand directs herself in her songs as if she's directing an actor in a movie." Dave Donnelly of Sputnikmusic compared the song to Evanescence's "My Immortal" (2003). He added that Clarkson managed to take the piano-driven song in a different direction with a "stormy, hard blues vocal... avoiding the typical raised-key final chorus cliché along the way". On the other hand, Bill Lamb of About.com lambasted the lyrics of the song and considered it as a 16-year-old work rather than an accomplished pop songwriter. Christa L. Titus of Billboard lauded the song for its absence of schmaltz factor, "only a potent, pained, grown-up anthem of gross betrayal and loss." She concluded her review, writing "it is time for Clarkson to return to No. 1 on the Billboard Hot 100; she has certainly become the most consistent hope for top 40 staple status." Critics also lauded Clarkson's vocal prowess in the song. Pam Avoledo of Blogcritics thought that vocally, the song is Clarkson's "shining" moment. Tony Heywood of MusicOMH noted that in the song, Clarkson's voice is "full of vulnerability, ache and wounded pride." In May 15, 2007, the song was listed as one of the recipients of BMI Pop Awards. At the 24th ASCAP Pop Music Awards, the song was honoured with the Most Performed Songs award. On July 2008, BBC News reported that according to Performing Right Society, "Because of You" was the second most played song in the United Kingdom over the last five years, following Daniel Powter's "Bad Day (2005)."

Read more about this topic:  Because Of You (Kelly Clarkson Song)

Famous quotes containing the words critical and/or reception:

    The critical method which denies literary modernity would appear—and even, in certain respects, would be—the most modern of critical movements.
    Paul Deman (1919–1983)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)