BDSM in Culture and Media - Literature

Literature

Further information: Sadism and masochism in fiction

Sadomasochism is a perennial in the field of literature and has inspired several classics like The Story of O by Anne Declos (under the pseudonym Pauline Réage), Justine by Marquis de Sade, Venus in Furs by Leopold von Sacher-Masoch or the comics created by Eric Stanton. A literary curiosity is Martha's letter to Leopold Bloom in Ulysses by James Joyce. The novel Nine and a Half Weeks: A Memoir of a Love Affair published in 1978 by Elizabeth McNeill was the basis of the Hollywood movie 9½ Weeks.

Well-known author Anne Rice published under the pseudonym A. N. Roquelaure three installments of her Sleeping Beauty Trilogy (The Claiming of Sleeping Beauty, 1983), Beauty's Punishment (1984) and Beauty's Release (1985) with explicit BDSM themes. The development shows that today BDSM has reached the middle ground of international literature on a scale which would have been unbelievable just a short time ago.

A nine-volume book series published in July 2006 under the title Bild-Erotik-Bibliothek by Bild-Zeitung, Germany's leading Tabloid and the best-selling newspaper in Europe, in cooperation with Random House gives a clear indication of the commercial potential of the topic. Out of nine installments, three books had a well-defined emphasis on sadomasochism, specifically BDSM. Besides Exit to Eden, also written by Anne Rice under the pseudonym Anne Rampling, it also further featured the sadomasochist classic Story of O. and the explicit novel Topping from Below by Laura Reese.

While it can not be denied that the authors of SM-literature, de Sade and Sacher-Masoch, showed a propensity to the sexuality they described, it has to be differentiated between the real sexual activity and the fantasies described in literature. It would be an absurd demand of the literature's authenticity that the author have to practice what he is describing. Diary notes, interviews and the description of experience remain a fictionalization of the described events. While sadomasochistic rituals enacted as theatrical staging might show fetish characteristics, the fetish is not literature. BDSM literature also does not embrace a specific philosophy or morality, instead it represents it, as any other kind of literature aspects of the particular Zeitgeist of its era.

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