Reception
Battle Royale II: Requiem received generally negative reviews from film critics. The film received a rating of 38% at Rotten Tomatoes with a classification of "rotten", based on nine reviews, only three of which were positive. Many of the reviewers criticized the film for being inferior to the original, having a contrived, confusing plot line, its controversial, provocative sentiments, and generally bad acting.
Ilya Garger of Time said that while the film has more "bullets, bombs and dramatic battlefield deaths" than its predecessor had, the sequel does not have the "who'll-die-next-and-how suspense." Garger described the characters in Battle Royale II as "a simpler breed" who join forces to defeat the adults. One of the few positive reviews was from Jamie Russell of BBC who stated that the film "scrapes by on the strength of its startlingly subversive political commentary," wearing "its anti-American sentiments on its sleeve." Despite criticizing it for being "torturously overlong, resoundingly clunky and full of a bloated sense of its own importance," it concluded that "its decision to cast its heroes as teenage Al Qaeda-style terrorists fighting against a fascistic adult America is staggeringly bold."
Read more about this topic: Battle Royale II: Requiem
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)