Plot
Trying to end a gang war between Scarface & the Ventriloquist and Black Mask, Batman discovers that Commissioner James Gordon has been kidnapped, and is being held at an overrun Arkham Asylum. Racing through Gotham City's sewers in order to enter the Asylum undetected, Batman has to fight through enemies ranging from Mr. Zsasz to the Ratcatcher before finally encountering the man holding Gordon: the Joker.
Discovering that Gordon's kidnapping was in fact a distraction to keep the Dark Knight away from the world stage, Ra's al Ghul reveals that his new plan to take over the world is nearly complete. Batman has to travel around the world to the Demon's Head's stronghold in order to stop his latest plan for world domination. The game features various endings depending on how the last few sections of the game are played. To get the "good" ending, Batman must disarm a signal device before facing Ra's. This is never revealed to the player however, and the most common ending consists of defeating Ra's who then sets off the bombs he has set up around the globe, ultimately resulting in his success. This initially caused confusion among gamers and critics as to why "beating" the game essentially had the death of 1/3 of the population.
Members of Batman's supporting cast of allies also appear in the cinematics of the game, including Oracle, Robin, and Batgirl. Nightwing does not appear, but is mentioned in dialogue as possible backup leading into the game's climax.
Many precedents of the comics are cited, especially as it pertains to Ra's al Ghul, and Batman's "undefined" relationship with al Ghul's daughter, Talia al Ghul.
The villains in the story include the Joker, Ra's al Ghul, Mr. Freeze, Poison Ivy, Killer Croc, Scarface & the Ventriloquist, Black Mask, Mr. Zsasz and the Ratcatcher.
Read more about this topic: Batman: Dark Tomorrow
Famous quotes containing the word plot:
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)