Bass Reflex - Limitations

Limitations

By their own nature, resonant systems cannot start and stop instantly. Ported speakers stagger two resonances, one from the driver and boxed air and another from the boxed air and port, in order to achieve their bass output, a more complex case than an equivalent sealed box. This causes increased time delay (increased group delay imposed by the twin resonances), both in the commencement of bass output and in its cessation. Therefore a flat steady-state bass response does not occur at the same time as the rest of the sonic output; rather, it starts later (lags) and accumulates over time as a longish resonant "tail". Because of this complex, frequency-dependent loading, ported enclosures generally result in poorer transient response at low frequencies than in well-designed sealed box systems.

Another trade-off for this augmentation is that, at frequencies below 'tuning', the port unloads the cone and allows it to move much as if the speaker were not in an enclosure at all. This means the speaker can be driven past safe mechanical limits at frequencies below the tuning frequency with much less power than in an equivalently sized sealed enclosure. For this reason, high-powered systems using a bass reflex design are often protected by a filter that removes signals below a certain frequency. Unfortunately, electrical filtering adds further frequency-dependent group delay. Even if such filtering can be adjusted not to remove musical content, it may interfere with sonic information connected with the size and ambiance of the recording venue, information which often exists in the low bass spectrum.

Whether or not the effects of these in a properly designed system are audible remains a matter of debate. A poorly designed bass reflex system, generally one that is tuned too high or too loosely, can ring at the tuning frequency and create a 'booming' one-note quality to the bass frequencies. In effect, this is due to the port resonance imposing its characteristics to the note being played, and is grossly exacerbated if the port resonance coincides with one of the resonant modes of the room, a not unusual occurrence. In general, the lower in frequency a port is tuned, the less objectionable these problems are likely to be.

Ports often are placed in the front baffle, and may thus transmit unwanted midrange frequencies reflected from within the box. If undersized, a port may also generate "wind noise" or "chuffing", due to turbulence around the port openings at high air speeds. Enclosures with a rear-facing port mask these effects to some extent, but they cannot be placed directly against a wall without causing audible problems. They require some free space around the port so they can perform as intended. Some manufacturers incorporate a floor-facing port within the speaker stand or base, offering predictable and repeatable port performance within the design constraints.

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