Basil Rathbone - Career

Career

On 22 April 1911, Rathbone made his first appearance on stage at the Theatre Royal, Ipswich, as Hortensio in The Taming of the Shrew, with Sir Frank Benson's No. 2 Company, under the direction of Henry Herbert. In October 1912, he went to America with Benson's company, playing such parts as Paris in Romeo and Juliet, Fenton in The Merry Wives of Windsor, and Silvius in As You Like It. Returning to England, he made his first appearance in London at the Savoy Theatre on 9 July 1914, as Finch in The Sin of David. That December, he appeared at the Shaftesbury Theatre as the Dauphin in Henry V. During 1915, he toured with Benson and appeared with him at London's Court Theatre in December as Lysander in A Midsummer Night's Dream.

During the Summer Festival of 1919, he appeared at Stratford-upon-Avon with the New Shakespeare Company playing Romeo, Cassius, Ferdinand in The Tempest, and Florizel in The Winter's Tale; in October he was at London's Queen's Theatre as the aide-de-camp in Napoleon, and in February 1920 he was at the Savoy Theatre in the title role in Peter Ibbetson with huge success.

During the 1920s, Rathbone appeared regularly in Shakespearean and other roles on the English stage. He began to travel and appeared at the Cort Theatre, New York, in October 1923 and toured in the United States in 1925, appearing in San Francisco in May and the Lyceum Theatre, New York, in October. He was in the US again in 1927 and 1930 and again in 1931, when he appeared on stage with Ethel Barrymore. He continued his stage career in England, returning late in 1934 to the US, where he appeared with Katharine Cornell in several plays.

Rathbone was once arrested in 1926 along with every other member of the cast of The Captive, a play in which his character's wife left him for another woman. Though the charges were eventually dropped, Rathbone was very angry about the censorship because he believed that homosexuality needed to be brought into the open.

He commenced his film career in 1925 in The Masked Bride, appeared in a few silent films, and played the detective Philo Vance in the 1930 film The Bishop Murder Case, based on the best-selling novel. Like George Sanders and Vincent Price after him, Rathbone made a name for himself in the 1930s by playing suave villains in costume dramas and swashbucklers, including David Copperfield (1935) as the abusive stepfather Mr. Murdstone; Anna Karenina (1935) as her distant husband, Karenin; The Last Days of Pompeii (1935) portraying Pontius Pilate; Captain Blood (1935); A Tale of Two Cities (1935), as the Marquis St. Evremonde; The Adventures of Robin Hood (1938) playing his best-remembered villain, Sir Guy of Gisbourne; The Adventures of Marco Polo (1938); and The Mark of Zorro (1940) as Captain Esteban Pasquale. He also appeared in several early horror films: Tower of London (1939), as Richard III, and Son of Frankenstein (1939), portraying the dedicated surgeon Baron Wolf von Frankenstein, son of the monster's creator, and, in 1949, was also the narrator for the segment "The Wind in the Willows" in the animated feature, The Adventures of Ichabod and Mr. Toad.

He was admired for his athletic cinema swordsmanship (he listed fencing among his favourite recreations). He fought and lost to Errol Flynn in a duel on the beach in Captain Blood and in an elaborate fight sequence in The Adventures of Robin Hood. He was involved in noteworthy sword fights in Tower of London, The Mark of Zorro, and The Court Jester (1956). Despite his real-life skill, Rathbone won only once onscreen, in Romeo and Juliet (1936). Rathbone earned Academy Award nominations for Best Actor in a Supporting Role for his performances as Tybalt in Romeo and Juliet (1936) and as King Louis XI in If I Were King (1938). In The Dawn Patrol (1938), he played one of his few heroic roles in the 1930s, as a Royal Flying Corps (RFC) squadron commander brought to the brink of a nervous breakdown by the strain and guilt of sending his battle-weary pilots off to near-certain death in the skies of 1915 France. Errol Flynn, Rathbone's perennial foe, starred in the film as his successor when Rathbone's character was promoted.

According to Hollywood legend, Rathbone was Margaret Mitchell's first choice to play Rhett Butler in the film version of her novel Gone with the Wind. The reliability of this story may be suspect, however, as on another occasion Mitchell chose Groucho Marx for the role, apparently in jest. Rathbone actively campaigned for the role, however, but to no avail.

Despite his film success, Rathbone always insisted that he wished to be remembered for his stage career. He said that his favourite role was that of Romeo.

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