Mural Description
As can be seen from the photograph taken in the sixties, while the mural was still largely intact, it originally depicted Brill's memories of home, as well as the horrors of war. From left to right images of a boxer overlay a newspaper, beneath which money and piles of skulls, are followed by grasping hands reaching up to repeated and overlaid images of apparently naked women, whose facial features change subtely. Above these women can be seen the artists signature reference to the R.A.S.C. and the date of 21 4 42, with a further repetition of skulls above the signature. The image continues to unfold, on the other side of what appears to be a curtain separating the two sides of the mural, with pages of music, a grand piano and a table laid for a sumptious meal (many knives and forks), under which are fitted a number of books, which according to Lydia Pappas represent the works of Charles Dickens From left to right: A Tale of Two Cities; Barnaby Rudge; David Copperfield; The Old Curiosity Shop and The Pickwick Papers. The image flows on to a conductor with more music, followed by a number of men's faces watching three ballet dancers, who are dancing on a floor of musical notes, the mural ends with the image of a face looking out of a window high up in a brick wall at the top right hand corner of the mural, which has variously been suggested to be the artist himself, or a relative back in "blighty" awaiting his return.
Read more about this topic: Bardia Mural
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