Bard - Welsh Bards

Welsh Bards

Further information: Dryw and Book of Taliesin

A number of legendary bards in Welsh mythology have been preserved in medieval Welsh literature such as the Red Book of Hergest, the White Book of Rhydderch, the Book of Aneirin and the Book of Taliesin. The bards Aneirin and Taliesin may be legendary reflections of historical bards active in the 6th to 7th centuries. Very little historical information about Dark Age Welsh court tradition survives, but the Middle Welsh material came to be the nucleus of the Matter of Britain and Arthurian legend as they developed from the 13th century. The (Welsh) Laws of Hywel Dda, originally compiled around 900 A.D, identify a bard as a member of a King's household. His duties, when the bodyguard were sharing out booty taken in a strange (sic) country, included the singing of the Sovereignty of Britain - possibly why the genealogies of the British High Kings survived into the written historical record.

Welsh bardic tradition appears to end in the same 13th century, the Welsh campaigns of Edward I supposedly culminating in the legendary suicide of The Last Bard (c. 1283), as commemorated in the poem The Bards of Wales by the Hungarian poet János Arany in 1857 as a way of encoded resistance to the suppressive politics of his own time. There seems to be some continuity of Early Medieval Welsh tradition into the Late Middle Ages, with 14th century poets such as Dafydd ap Gwilym and Iolo Goch, and even to the present day with the Gorsedd of Bards.

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Famous quotes containing the words welsh and/or bards:

    For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish or a German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making “ladies” dresses or artificial flowers for the family to purchase.
    Stephanie Coontz (20th century)

    The present century has not dealt kindly with the farmer. His legends are all but obsolete, and his beliefs have been pared away by the professors at colleges of agriculture. Even the farm- bred bards who twang guitars before radio microphones prefer “I’m Headin’ for the Last Roundup” to “Turkey in the Straw” or “Father Put the Cows Away.”
    —For the State of Kansas, U.S. public relief program (1935-1943)