Biography
Barbara Milton was born Barbara Watkins of Louisville, from a respectable family from Louisville, Kentucky. Her uncle was Bruce Haldeman, President of the company that published Colonel Henry Watterson’s (also known as Marse Henry) Louisville Courier-Journal. Her grandfather, Colonel W. A. Milton, was Secretary-Treasurer of the company.
She spent her childhood in her native city. She followed the Louisville Girls’ High School and in the spring of 1916, during her graduating year, she played the role of Katherine in the performance of The Taming of the Shrew given by the girls of the graduating class, at the Macauley Theatre. This performance fired her latent ambition to become an actress and follow a stage career. She communicated her desire to the first friend of the family, Colonel Watterson, who also suggested her stage name, Barbara Milton, after her grandfather. Later that summer, with a recommendation letter from Col. Watterson, she travelled with her mother to New York, to join Henry Miller’s company as a general understudy. After a few weeks, her hard study and patience war rewarded with the role of Elisabeth Daingerfield, in the play Come out of the Kitchen. The New York Times from December 3, 1916 wrote:
“When it was determined that 'Come out of the Kitchen' should be presented in New York Mr. Miller decided to intrust the role of the other Daingerfield girl to the newcomer from the South (i.e. Barbara Milton). His faith was rewarded by a performance so fresh and natural as to add to the effectiveness of the whole."
Between 1916 and 1920 she played another two roles: Harriet Lane in Call the Doctor, at the Empire Theatre and Nellie, in The Acquittal. In 1921 she married to Edward L. Strater. She later performed with the Little Theatre Co. in Louisville.
Read more about this topic: Barbara Milton
Famous quotes containing the word biography:
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (18851967)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every mans life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (174095)
“A biography is like a handshake down the years, that can become an arm-wrestle.”
—Richard Holmes (b. 1945)