Life and Work
Jocelyn Barbara Hepworth was born on 10 January 1903 in Wakefield, West Yorkshire, the eldest child of Herbert and Gertrude Hepworth. Her father was a civil engineer for the West Riding County Council, who in 1921 became County Surveyor. She attended Wakefield Girls High School, and won a scholarship and studied at the Leeds School of Art from 1920 (where she met Moore). She then won a County scholarship to the Royal College of Art and studied there from 1921 until she was awarded the diploma of the Royal College of Art in 1924. She later studied for a period in Italy.
Hepworth's first marriage was to the sculptor John Skeaping, with whom she had a son, Paul, in 1929. Her second marriage was to the painter Ben Nicholson. They married on 17 November 1938 at Hampstead Register Office. The couple had triplets in 1934, Simon, Rachel and Sarah; Simon also became an artist. The couple divorced in 1951. Her eldest son, Paul, was killed on 13 February 1953 in a plane crash while serving with the Royal Air Force in Thailand. Hepworth created a memorial to him, entitled Madonna and Child, in the church in St Ives.
One of her most prestigious works is Single Form, in memory of her friend and collector of her works Dag Hammarskjöld, at the United Nations building in New York City. It was commissioned in 1961 by the Jacob and Hilda Blaustein Foundation following Hammarskjöld's death in a plane crash.
Hepworth was featured in the 1964 documentary film 5 British Sculptors (Work and Talk) by American filmmaker Warren Forma. She was made a dame in 1965, ten years before her death during a fire in her St Ives studio in Cornwall, aged seventy-two.
On 20 December 2011, her 1969 sculpture Two Forms (Divided Circle) was stolen, from its plinth in Dulwich Park, South London, by suspected scrap metal thieves. The piece, which had been in the park since 1970, was insured for £500,000, a spokesman for Southwark Council said.
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Famous quotes containing the words life and, life and/or work:
“The problem is simply this: no one can feel like CEO of his or her life in the presence of the people who toilet trained her and spanked him when he was naughty. We may have become Masters of the Universe, accustomed to giving life and taking it away, casually ordering people into battle or out of their jobs . . . and yet we may still dirty our diapers at the sound of our mommy’s whimper or our daddy’s growl.”
—Frank Pittman (20th century)
“To live life well is to express life poorly; if one expresses life too well, one is living it no longer.”
—Gaston Bachelard (1884–1962)
“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
—Northrop Frye (1912–1991)