Blues Singer and Role Model
When she was in her late 70s, Philip Elwood, jazz critic of the San Francisco Examiner, said of her: "Dane is back and beautiful...she has an immense voice, remarkably well-tuned...capable of exquisite presentations regardless of the material. As a gut-level blues singer she is without compare." Blues writer Lee Hildebrand calls her "...perhaps the finest living interpreter of the classic blues of the 20's." In a 2010 profile on Barbara produced by Steven Short of KALW in San Francisco, Bonnie Raitt said "she’s always been a role model and a hero of mine – musically and politically. I mean, the arc of her life so informs mine that – she’s – I really can’t think of anyone I admire, the way that she’s lived her life." The interview is archived on the KALW website.
Read more about this topic: Barbara Dane
Famous quotes containing the words blues, singer, role and/or model:
“Holly Golightly: You know those days when you’ve got the mean reds?
Paul: The mean reds? You mean like the blues?
Holly Golightly: No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of.”
—George Axelrod (b. 1922)
“The question is not ... if art is enough to fulfill my life, but if I am true to the path I have set for myself, if I am the best I can be in the things I do. Am I living up to the reasons I became a singer in the first place?”
—Kathleen Battle (b. 1948)
“Today, only a fool would offer herself as the singular role model for the Good Mother. Most of us know not to tempt the fates. The moment I felt sure I had everything under control would invariably be the moment right before the principal called to report that one of my sons had just driven somebody’s motorcycle through the high school gymnasium.”
—Mary Kay Blakely (20th century)
“She represents the unavowed aspiration of the male human being, his potential infidelity—and infidelity of a very special kind, which would lead him to the opposite of his wife, to the “woman of wax” whom he could model at will, make and unmake in any way he wished, even unto death.”
—Marguerite Duras (b. 1914)