Barbara Budd - Career

Career

Budd worked for five seasons as a company member at Canada's Stratford Festival under Robin Phillips (1975-1980). She had minor film roles in the 1980s before joining CBC Radio, for whom she worked as a continuity announcer and substitute host, as well as an occasional guest performer on Royal Canadian Air Farce, until becoming a permanent host on As It Happens. Three of her guest appearances with Air Farce appear on the troupe's 1990 album To Air Is Human, To Farce Divine. In one of her most famous sketches with Air Farce, a businessman befuddled by the complexities of the new GST calls the government's information line; Budd plays the customer service representative, who answers his tax questions in the steamy and seductive tone of a phone sex operator.

She's also done voice work on animations including shows such as RoboCop: The Animated Series, Dinosaucers, Miss Spider's Sunny Patch Friends, Stunt Dawgs, Babar, The New Archies, Rupert, Little Shop, Blazing Dragons, Stickin' Around, The Adventures of Tintin, Ultraforce, Pippi Longstocking, Bob and Margaret, and Little Rosey, and provided the voice of "Skyress" on Bakugan Battle Brawlers.

She continues to narrate documentary films, recordings, and classical music concerts.

On the March 29, 2010 episode of As It Happens she announced that she would be leaving the show on April 30 as CBC had elected not to renew her contract, and asked listeners to send her a photo so she could "put a face to the ears". She subsequently revealed that she was never a permanent employee of CBC Radio, but spent her entire tenure with the network as a freelance contractor.

Since departing CBC Radio, Budd has returned to Stratford, Ontario, where in addition to her ongoing work as host, moderating panel discussions and appearing as a guest speaker, she is also in the midst of writing a book.

Read more about this topic:  Barbara Budd

Famous quotes containing the word career:

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)