Band of The Fighting Irish - Performances

Performances

The band performs at all home football games and pep rallies. A typical home game schedule commences on Friday afternoon when the band marches out from the Main Building to their rehearsal field for a final run-through of their field show, to the delight of onlookers. Following practice, the band marches from the Band Building to the Edmund P. Joyce Center to perform for the pep rally, energizing students and fans alike. At midnight, students and fans alike gather in front of the main building for the energizing "Drummer's Circle" performed by the drum line to prepare the student body for the following day's events.

Saturday morning commences with an early morning march about campus as a traditional way to "wake-up" students across campus in preparation for game day festivities. Once arriving at the Loftus Indoor Sports Facility, the band practices their field show once more and thereafter convenes for lunch, often performing various songs for special banquets held in the South Dining Hall at this time.

The day continues with a "Concert on the Steps" at Bond Hall, the Architecture Building, as the band performs traditional tunes as well as the half-time field show music in stand-still performance, galvanizing the large crowds surrounding the building. Directly following this performance is the traditional "Trumpets in the Dome" performance.

Next, approximately half-an-hour before kick-off, the band steps off from in front of the Main Building for their traditional march to the stadium, led by the Cheerleaders and Irish Guard, the band parades down the streets, lined by fans clapping and cheering the Irish onwards to victory.

After performing for pre-game festivities, their half-time show, and the post-game show, the band makes a triumphant march back to the band building after the game, and awaits preparations for the upcoming game day and the next opportunity to support their Fighting Irish football team.

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Famous quotes containing the word performances:

    At one of the later performances you asked why they called it a “miracle,”
    Since nothing ever happened. That, of course, was the miracle
    But you wanted to know why so much action took on so much life
    And still managed to remain itself, aloof, smiling and courteous.
    John Ashbery (b. 1927)

    This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.
    Dorothy Parker (1893–1967)