1960s
Category | Film | Director(s) | Producer(s) | Country | |
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1960 | |||||
Best Film from any Source | Ben-Hur | William Wyler | Sam Zimbalist | USA | |
Anatomy of a Murder | Otto Preminger | Otto Preminger | USA | ||
The Magician | Ingmar Bergman | Sweden | |||
The Big Country | William Wyler | Gregory Peck William Wyler |
USA | ||
Compulsion | Richard Fleischer | Richard D. Zanuck | USA | ||
Gigi | Vincente Minnelli | Arthur Freed | USA | ||
Look Back in Anger | Tony Richardson | Harry Saltzman | Britain | ||
Maigret Lays a Trap | Jean Delannoy | J.P. Guibert | France | ||
North West Frontier | J. Lee Thompson | Marcel Hellman | Britain | ||
The Nun's Story | Fred Zinnemann | Henry Blanke | USA | ||
Ashes and Diamonds | Andrzej Wajda | Poland | |||
Sapphire | Basil Dearden | Michael Relph | Britain | ||
Some Like It Hot | Billy Wilder | Billy Wilder | USA | ||
Tiger Bay | J. Lee Thompson | John Hawkesworth Leslie Parkyn Julian Wintle |
Britain | ||
Yesterday's Enemy | Val Guest | Michael Carreras | Britain | ||
Best British Film | Sapphire | Basil Dearden | Michael Relph | ||
Look Back in Anger | Tony Richardson | Harry Saltzman | |||
North West Frontier | J. Lee Thompson | Marcel Hellman | |||
Tiger Bay | J. Lee Thompson | John Hawkesworth Leslie Parkyn Julian Wintle |
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Yesterday's Enemy | Val Guest | Michael Carreras | |||
1961 | |||||
Best Film from any Source | The Apartment | Billy Wilder | Billy Wilder | USA | |
The Angry Silence | Guy Green | Richard Attenborough Bryan Forbes |
Britain | ||
The Adventure | Michelangelo Antonioni | Cino Del Duca Raymond Hakim Robert Hakim Amato Pennasilico Luciano Perugia |
Italy/France | ||
The Sweet Life | Federico Fellini | Giuseppe Amato Angelo Rizzoli |
Italy/France | ||
Elmer Gantry | Richard Brooks | Bernard Smith | USA | ||
Hiroshima, My Love | Alain Resnais | Anatole Dauman Samy Halfon |
France/Japan | ||
Inherit the Wind | Stanley Kramer | Stanley Kramer | USA | ||
Let's Make Love | George Cukor | Jerry Wald | USA | ||
Black Orpheus | Marcel Camus | Sacha Gordine | France/Italy/Brazil | ||
Never on Sunday | Jules Dassin | Greece | |||
The 400 Blows | François Truffaut | France | |||
Saturday Night and Sunday Morning | Karel Reisz | Tony Richardson | Britain | ||
Shadows | John Cassavetes | Maurice McEndree | USA | ||
Spartacus | Stanley Kubrick | Edward Lewis | USA | ||
The Testament of Orpheus | Jean Cocteau | Jean Thuillier | France | ||
The Trials of Oscar Wilde | Ken Hughes | Irving Allen Albert R. Broccoli Harold Huth |
Britain | ||
Tunes of Glory | Ronald Neame | Colin Lesslie | Britain | ||
Best British Film | Saturday Night and Sunday Morning | Karel Reisz | Tony Richardson | ||
The Angry Silence | Guy Green | Richard Attenborough Bryan Forbes |
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The Trials of Oscar Wilde | Ken Hughes | Irving Allen Albert R. Broccoli Harold Huth |
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Tunes of Glory | Ronald Neame | Colin Lesslie | |||
1962 | |||||
Best Film from any Source | Ballad of a Soldier | Grigori Chukhrai | M. Chernova | Soviet Union | |
The Hustler | Robert Rossen | Robert Rossen | USA | ||
The World of Apu | Satyajit Ray | Satyajit Ray | India | ||
The Innocents | Jack Clayton | Jack Clayton | Britain | ||
Judgment at Nuremberg | Stanley Kramer | Stanley Kramer | USA | ||
The Long and the Short and the Tall | Leslie Norman | Michael Balcon | Britain | ||
Rocco and His Brothers | Luchino Visconti | Goffredo Lombardo | Italy | ||
The Sundowners | Fred Zinnemann | Gerry Blatner | Britain | ||
A Taste of Honey | Tony Richardson | Tony Richardson | Britain | ||
The Night Watch | Jacques Becker | Serge Silberman | France | ||
Whistle Down the Wind | Bryan Forbes | Richard Attenborough | Britain | ||
Best British Film | A Taste of Honey | Tony Richardson | Tony Richardson | ||
The Innocents | Jack Clayton | Jack Clayton | |||
The Long and the Short and the Tall | Leslie Norman | Michael Balcon | |||
The Sundowners | Fred Zinnemann | Gerry Blatner | |||
Whistle Down the Wind | Bryan Forbes | Richard Attenborough | |||
1963 | |||||
Best Film from any Source | Lawrence of Arabia | David Lean | Sam Spiegel | Britain | |
Last Year at Marienbad | Alain Resnais | Pierre Courau Raymond Froment |
France/Italy | ||
Billy Budd | Peter Ustinov | Peter Ustinov | Britain | ||
The Elusive Corporal | Jean Renoir | Adry de Carbuccia Roland Girard |
France | ||
The Lady with the Dog | Iosif Kheifits | Soviet Union | |||
The Naked Island | Kaneto Shindō | Japan | |||
Jules and Jim | François Truffaut | France | |||
A Kind of Loving | John Schlesinger | Joseph Janni | Britain | ||
The L-Shaped Room | Bryan Forbes | Richard Attenborough James Woolf |
Britain | ||
Lola | Jacques Demy | Georges de Beauregard Carlo Ponti |
France/Italy | ||
The Manchurian Candidate | John Frankenheimer | George Axelrod John Frankenheimer |
USA | ||
The Miracle Worker | Arthur Penn | Fred Coe | USA | ||
Only Two Can Play | Sidney Gilliat | Leslie Gilliat | Britain | ||
Phaedra | Jules Dassin | Jules Dassin | Greece | ||
Through a Glass Darkly | Ingmar Bergman | Allan Ekelund | Sweden | ||
Thou Shalt Not Kill | Claude Autant-Lara | Moris Ergas | Italy/Yugoslavia/ Lichtenstein | ||
The Long Absence | Henri Colpi | France/Italy | |||
West Side Story | Jerome Robbins Robert Wise |
Robert Wise | USA | ||
Best British Film | Lawrence of Arabia | David Lean | Sam Spiegel | ||
Billy Budd | Peter Ustinov | Peter Ustinov | |||
A Kind of Loving | John Schlesinger | Joseph Janni | |||
The L-Shaped Room | Bryan Forbes | Richard Attenborough James Woolf |
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Only Two Can Play | Sidney Gilliat | Leslie Gilliat | |||
1964 | |||||
Best Film from any Source | Tom Jones | Tony Richardson | Tony Richardson | Britain | |
8½ | Federico Fellini | Angelo Rizzoli | Italy | ||
Billy Liar | John Schlesinger | Joseph Janni | Britain | ||
David and Lisa | Frank Perry | Paul M. Heller | USA | ||
Days of Wine and Roses | Blake Edwards | Martin Manulis | USA | ||
Divorce, Italian Style | Pietro Germi | Franco Cristaldi | Italy | ||
Hud | Martin Ritt | Irving Ravetch Martin Ritt |
USA | ||
Knife in the Water | Roman Polanski | Stanislaw Zylewicz | Poland | ||
The Four Days of Naples | Nanni Loy | Goffredo Lombardo | Italy | ||
The Servant | Joseph Losey | Joseph Losey Norman Priggen |
Britain | ||
This Sporting Life | Lindsay Anderson | Karel Reisz | Britain | ||
To Kill a Mockingbird | Robert Mulligan | Alan J. Pakula | USA | ||
Best British Film | Tom Jones | Tony Richardson | Tony Richardson | ||
Billy Liar | John Schlesinger | Joseph Janni | |||
The Servant | Joseph Losey | Joseph Losey Norman Priggen |
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The L-Shaped Room | Bryan Forbes | Richard Attenborough James Woolf |
|||
This Sporting Life | Lindsay Anderson | Karel Reisz | |||
1965 | |||||
Best Film from any Source | Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb | Stanley Kubrick | Stanley Kubrick | Britain | |
Becket | Peter Glenville | Hal B. Wallis | Britain | ||
The Pumpkin Eater | Jack Clayton | James Woolf | Britain | ||
The Train | John Frankenheimer | Jules Bricken | Britain | ||
Best British Film | Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb | Stanley Kubrick | Stanley Kubrick | ||
Becket | Peter Glenville | Hal B. Wallis | |||
The Pumpkin Eater | Jack Clayton | James Woolf | |||
The Train | John Frankenheimer | Jules Bricken | |||
1966 | |||||
Best Film from any Source | My Fair Lady | George Cukor | Jack L. Warner | USA | |
Zorba the Greek | Michael Cacoyannis | Michael Cacoyannis | Greece/USA | ||
Hamlet | Grigori Kozintsev | Soviet Union | |||
The Hill | Sidney Lumet | Kenneth Hyman | Britain | ||
The Knack …and How to Get It | Richard Lester | Oscar Lewenstein | Britain | ||
Best British Film | The IPCRESS File | Sidney J. Furie | Harry Saltzman | ||
Darling | John Schlesinger | Joseph Janni | |||
The Hill | Sidney Lumet | Kenneth Hyman | |||
The Knack …and How to Get It | Richard Lester | Oscar Lewenstein | |||
1967 | |||||
Best Film from any Source | Who's Afraid of Virginia Woolf? | Mike Nichols | Ernest Lehman | USA | |
Doctor Zhivago | David Lean | David Lean Carlo Ponti |
USA | ||
Morgan: A Suitable Case for Treatment | Karel Reisz | Leon Clore | Britain | ||
The Spy Who Came In From The Cold | Martin Ritt | Martin Ritt | Britain | ||
Best British Film | The Spy Who Came In From The Cold | Martin Ritt | Martin Ritt | ||
Alfie | Lewis Gilbert | Lewis Gilbert | |||
Georgy Girl | Silvio Narizzano | Robert A. Goldston Otto Plaschkes |
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Morgan: A Suitable Case for Treatment | Karel Reisz | Leon Clore | |||
1968 | |||||
Best Film from any Source | A Man For All Seasons | Fred Zinnemann | Fred Zinnemann | Britain | |
Bonnie and Clyde | Arthur Penn | Warren Beatty | USA | ||
In the Heat of the Night | Norman Jewison | Walter Mirisch | USA | ||
A Man and a Woman | Claude Lelouch | France | |||
Best British Film | A Man For All Seasons | Fred Zinnemann | Fred Zinnemann | ||
Accident | Joseph Losey | Joseph Losey Norman Priggen |
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Blow-Up | Michelangelo Antonioni | Carlo Ponti | |||
The Deadly Affair | Sidney Lumet | Sidney Lumet | |||
1969 | |||||
Best Film | The Graduate | Mike Nichols | Mike Nichols | USA | |
2001: A Space Odyssey | Stanley Kubrick | Stanley Kubrick | Britain/USA | ||
Oliver! | Carol Reed | John Woolf | Britain | ||
Closely Watched Trains | Jiří Menzel | Dr. Zdenek Oves | Czechoslovakia |
Read more about this topic: BAFTA Award For Best Film