Musicians
- Bronwyn Adams: Backing Vocals, Violin
- Barry Adamson: Bass, Timpani, Orchestral Arrangement
- Blixa Bargeld: Guitar, Backing Vocals, Vocals, Handclaps, Slide Guitar, Pedal Steel Guitar, Feedback Guitar, Percussion
- Martyn P. Casey: Bass, Backing Vocals, Percussion
- Nick Cave: Vocals, Piano, Hammond, Harmonica, Backing Vocals, Keyboards, Whistling, Guitar, String Synth, Sound Effects
- Tony Cohen: Backing Vocals, Percussion
- Kid Congo Powers: Backing Vocals, Handclaps, Slide Guitar, Tremolo Guitar
- Terry Edwards: Brass Section
- Warren Ellis: Violin, Mandolin, Bouzouki, Looped Violin
- Mick Gallagher: Backing Vocals
- Mick Harvey: Guitar, Backing Vocals, Acoustic Guitar, Bass, Organ, Drums, String Arrangement, Piano, Hammond, Marimba, Keyboards, Sound Effects, Cymbals, Vibes, Xylophone, Woodwind Arrangement
- Chas Jankel: Backing Vocals
- James Johnston: Organ, Guitar
- Shane MacGowan: Vocals
- Anna McGarrigle: Backing Vocals
- Kate McGarrigle: Backing Vocals
- Bill McGee: String Arrangement, Woodwind Arrangement
- Astrid Munday: Percussion
- Tracy Pew: Bass
- Hugo Race: Guitar
- Conway Savage: Piano, Organ, Backing Vocals, Vocals, Electric Piano, Hammond, Percussion
- Jim Sclavunos: Drums, Brushed Snare, Tambourine, Percussion, Tubular Bells, Organ, Bongos, Bells, Shaker
- Johnny Turnbull: Backing Vocals
- Mick Turner: Guitar
- Victor Van Vugt: Drum Machine
- Norman Watt-Roy: Backing Vocals
- Jim White: Drums
- Roland Wolf: Backing Vocals, Handclaps, Piano
- Thomas Wydler: Drums, Percussion, Backing Vocals, Tambourine, Handclaps
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Famous quotes containing the word musicians:
“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”
—Honoré De Balzac (1799–1850)
“As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.”
—Marcel Proust (1871–1922)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)