Debut Album
Rather than continue to build on their burgeoning following in the San Francisco/Bay Area, Automatic Man headed for London under the direction of producer and manager Lou CasaBianca. Automatic Man made Chelsea's King's Road in London their base of operations recording at Olympic Studios in Barnes with renowned recording engineer Keith Harwood. The self-titled debut album contains a mix of progressive space-rock and jazz fusion, with hard guitars and layered synthesizers. Allusions to space travel, Atlantis, astral projection, karma, angels, aliens, belly dancers and other mystical and exotic subjects are covered on nearly every album track. Cochran wrote the tracks "Atlantis Rising-Fanfare", "Coming Through", "One and One", "Newspapers", "Geni-Geni" and Turning of the Axis ". He shares co-writing credits with CasaBianca on "Automatic Man", "Interstellar Tracking Devices" and "Right Back Down." The entire band and CasaBianca share writing credits on "There's A Way." Steve Winwood who worked with Thrall, Shrieve and CasaBianca on GO, is rumoured to have contributed an uncredited keyboard and vocal appearance on the title track.
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Famous quotes containing the words debut and/or album:
“One should never make one’s debut with a scandal. One should reserve that to give an interest to one’s old age.”
—Oscar Wilde (1854–1900)
“What a long strange trip it’s been.”
—Robert Hunter, U.S. rock lyricist. “Truckin’,” on the Grateful Dead album American Beauty (1971)