Australian Literature - Aboriginal Writers and Themes

Aboriginal Writers and Themes

At the point of the first colonization, Indigenous Australians had not developed a system of writing, so the first literary accounts of Aborigines come from the journals of early European explorers, which contain descriptions of first contact, both violent and friendly. Early accounts by Dutch explorers and the English bucaneer William Dampier wrote of the "natives of New Holland" as being "barbarous savages", but by the time of Captain James Cook and First Fleet marine Watkin Tench (the era of Jean-Jacques Rousseau), accounts of Aborigines were more sympathetic and romantic: "these people may truly be said to be in the pure state of nature, and may appear to some to be the most wretched upon the earth; but in reality they are far happier than ... we Europeans", wrote Cook in his journal on 23 August 1770.

David Unaipon (1872–1967) provided the first accounts of Aboriginal mythology written by an Aboriginal: Legendary Tales of the Aborigines; he is known as the first Aboriginal author. Oodgeroo Noonuccal (1920–1995) was a famous Aboriginal poet, writer and rights activist credited with publishing the first Aboriginal book of verse: We Are Going (1964). Sally Morgan's novel My Place was considered a breakthrough memoir in terms of bringing indigenous stories to wider notice. Leading Aboriginal activists Marcia Langton (First Australians, 2008) and Noel Pearson ("Up From the Mission", 2009) are active contemporary contributors to Australian literature.

The voices of Indigenous Australians are being increasingly noticed and include the playwright Jack Davis and Kevin Gilbert. Writers coming to prominence in the 21st century include Kim Scott, Alexis Wright,Kate Howarth Tara June Winch, in poetry Yvette Holt and in popular fiction Anita Heiss.

Indigenous authors who have won Australia's high prestige Miles Franklin Award include Kim Scott who was joint winner (with Thea Astley) in 2000 for Benang and again in 2011 for That Deadman Dance. Alexis Wright won the award in 2007 for her novel Carpentaria.

Many notable works have been written by non-indigenous Australians on Aboriginal themes. Examples include the poems of Judith Wright; The Chant of Jimmie Blacksmith by Thomas Keneally, Ilbarana by Donald Stuart, and the short story by David Malouf: "The Only Speaker of his Tongue".

Histories covering Indigenous themes include Watkin Tench (Narrative of the Expedition to Botany Bay et Complete Account of the Settlement at Port Jackson); Roderick J. Flanagan (The Aborigines of Australia, 1888); The Native Tribes of Central Australia by Spencer and Gillen, 1899; the diaries of Donald Thompson on the subject of the Yolngu people of Arnhem Land (c.1935-1943); Alan Moorehead (The fatal Impact, 1966); Geoffrey Blainey (Triumph of the Nomads, 1975); Henry Reynolds (The Other Side of the Frontier, 1981); and Marcia Langton (First Australians, 2008). Differing interpretations of Aboriginal history are also the subject of contemporary debate in Australia, notably between the essayists Robert Manne and Keith Windshuttle.

Letters written by notable Aboriginals leaders like Bennelong and Sir Douglas Nicholls are also retained as treasures of Australian literature, as is the historic Yirrkala bark petitions of 1963 which is the first traditional Aboriginal document recognised by the Australian Parliament.

AustLit's BlackWords project provides a comprehensive listing of Aboriginal and Torres Strait Islander Writers and Storytellers.

Read more about this topic:  Australian Literature

Famous quotes containing the words aboriginal, writers and/or themes:

    John Eliot came to preach to the Podunks in 1657, translated the Bible into their language, but made little progress in aboriginal soul-saving. The Indians answered his pleas with: ‘No, you have taken away our lands, and now you wish to make us a race of slaves.’
    —Administration for the State of Con, U.S. public relief program. Connecticut: A Guide to Its Roads, Lore, and People (The WPA Guide to Connecticut)

    The writer isn’t made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century.
    —E.L. (Edgar Lawrence)

    I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
    Henry David Thoreau (1817–1862)